"Dvorák: Violin Concerto in A Minor, Op. 53, B. 108: I. Allegro, ma non troppo" by Antonín Dvořák, Itzhak Perlman, Daniel Barenboim, London Philharmonic Orchestra was released on September 25, 2015. Dvorák: Violin Concerto in A Minor, Op. 53, B. 108: I. Allegro, ma non troppo appears to be safe for all ages as it is not explicit. The song is number 1 out of 4 in Dvorák: Violin Concerto by Antonín Dvořák, Itzhak Perlman. In terms of popularity, Dvorák: Violin Concerto in A Minor, Op. 53, B. 108: I. Allegro, ma non troppo is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Dvorák: Violin Concerto in A Minor, Op. 53, B. 108: I. Allegro, ma non troppo by Antonín Dvořák, Itzhak Perlman, Daniel Barenboim, London Philharmonic Orchestra is Andante (at a walking pace), since this song has a tempo of 103 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
A Minor is the music key of this track. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Conus: Violin Concerto in E Minor: I. Allegro molto | Julius Conus, Itzhak Perlman, André Previn, Pittsburgh Symphony Orchestra | E Minor | 2 | 9A | 98 BPM | ||
Violin Concerto No. 1 In D, Op. 19: 3. Moderato | Sergei Prokofiev, Gil Shaham, London Symphony Orchestra, André Previn | G Minor | 1 | 6A | 65 BPM | ||
Cello Sonata in G Minor, Op. 19: IV. Allegro mosso | Sergei Rachmaninoff, Gautier Capuçon, Yuja Wang | G Major | 1 | 9B | 77 BPM | ||
Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb, 1: I. Moderato (Cadenza by Britten) | Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the Fields | C Major | 1 | 8B | 68 BPM | ||
Carnaval, Op.9: 2. Pierrot | Robert Schumann, Daniel Barenboim | A♭ Major | 2 | 4B | 150 BPM | ||
Tzigane, M. 76 (Version for Violin & Orchestra) | Maurice Ravel, Itzhak Perlman, André Previn, London Symphony Orchestra | G Major | 1 | 9B | 90 BPM | ||
Wagner: Tristan und Isolde: Prelude to Act 3 | Richard Wagner, Daniel Barenboim, Berliner Philharmoniker | F Minor | 0 | 4A | 150 BPM | ||
Tambourin chinois, Op. 3 (Arr. for Violin and Orchestra by McAlister) | Fritz Kreisler, Maxim Vengerov, Shanghai Symphony Orchestra, Long Yu | G Minor | 1 | 6A | 157 BPM | ||
Violin Concerto No. 1 in G Minor, Op. 26: III. Allegro energico | Max Bruch, Itzhak Perlman, Bernard Haitink, Concertgebouworkest | G Major | 3 | 9B | 97 BPM | ||
Symphony No. 2: II. Allegro molto | Sergei Rachmaninoff, Valery Gergiev, London Symphony Orchestra | F Major | 1 | 7B | 146 BPM |
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