"Wagner: Tristan und Isolde: Prelude to Act 3" by Richard Wagner, Daniel Barenboim, Berliner Philharmoniker was released on 1995. Since Wagner: Tristan und Isolde: Prelude to Act 3 is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 123 out of 277 in Barenboim - Complete Wagner Operas by Richard Wagner, Daniel Barenboim, Bayreuth Festival Orchestra, Staatskapelle Berlin, Berliner Philharmoniker. Based on our statistics, Wagner: Tristan und Isolde: Prelude to Act 3's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Wagner: Tristan und Isolde: Prelude to Act 3 by Richard Wagner, Daniel Barenboim, Berliner Philharmoniker is Allegro (fast, quick, and bright), since this song has a tempo of 150 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 3/4.
This song has a musical key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Brahms: Symphony No. 3 in F Major, Op. 90: II. Andante | Johannes Brahms, Berliner Philharmoniker, Sir Simon Rattle | C Major | 0 | 8B | 60 BPM | ||
Die Meistersinger von Nurnberg (The Mastersingers of Nuremberg): Act I Scene 1: Da zu dir der Heiland kam | Richard Wagner, Maria Müller, Camilla Kallab, Max Lorenz, Jaro Prohaska, Josef Greindl, Benno Arnold, Helmut Fehn, Eugen Fuchs, Fritz Krenn, Gerhard Witting, Karl Krollmann, Herbert Gosebruch, Gustav Rödin, Franz Sauer, Alfred Dome, Erich Zimmermann, Erich Pina, Bayreuth Festival Chorus, Bayreuth Festival Orchestra, Wilhelm Furtwängler | E Major | 2 | 12B | 85 BPM | ||
Piano Sonata No. 16 In B Flat, K.570: 3. Allegretto | Wolfgang Amadeus Mozart, Daniel Barenboim | A Minor | 2 | 8A | 130 BPM | ||
3 Études de Concert, S. 144: No. 3 in D-Flat Major "Un sospiro" | Franz Liszt, Daniil Trifonov | D♭ Major | 1 | 3B | 76 BPM | ||
Schoenberg: Verklärte Nacht, Op. 4: I. Grave | Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra, Charles Pikler, John Sharp, Joseph Golan, Li-Kuo Chang, Ruben Gonzalez, Stephen Balderston | D Minor | 1 | 7A | 174 BPM | ||
Messiaen: Éclairs sur l'au-delà...: VI. Les sept anges aux sept trompettes | Olivier Messiaen, Sir Simon Rattle, Berliner Philharmoniker | A Major | 0 | 11B | 84 BPM | ||
Cello Concerto in E Minor, Op. 85: III. Adagio | Edward Elgar, Daniel Barenboim, Jacqueline du Pré, Philadelphia Orchestra | B♭ Major | 0 | 6B | 96 BPM | ||
Der fliegende Hollander (the Flying Dutchman): Overture | Richard Wagner, Slovak Philharmonic, Michael Halasz | F Minor | 0 | 4A | 93 BPM | ||
Kindertotenlieder: I. Nun will die Sonn' so hell aufgeh'n | Gustav Mahler, Dietrich Fischer-Dieskau, Berliner Philharmoniker, Karl Böhm | F Major | 0 | 7B | 71 BPM | ||
St. Paul's Suite, Op. 29 No. 2, H 118: 3. Intermezzo: Andante con moto | Gustav Holst, Saint Paul Chamber Orchestra, Christopher Hogwood | E Minor | 0 | 9A | 136 BPM |
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