Daniel Barenboim's 'Bach, JS : Well-Tempered Clavier Book 1 : Fugue No.23 in B major BWV868' came out on 2004. The duration of Bach, JS : Well-Tempered Clavier Book 1 : Fugue No.23 in B major BWV868 is about two minutes long, specifically at 2:31. This song does not appear to have any foul language. Bach, JS : Well-Tempered Clavier Book 1 : Fugue No.23 in B major BWV868's duration is considered a little bit shorter than the average duration of a typical track. The song is number 46 out of 96 in Bach, JS : Well-Tempered Clavier Books 1 & 2 by Daniel Barenboim. In terms of popularity, Bach, JS : Well-Tempered Clavier Book 1 : Fugue No.23 in B major BWV868 is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Bach, JS : Well-Tempered Clavier Book 1 : Fugue No.23 in B major BWV868 by Daniel Barenboim is Moderato (at a moderate speed), since this song has a tempo of 116 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.
A♭ Minor is the music key of this track. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Nocturne No. 3 in A-Flat Major | John Field, Benjamin Frith | A♭ Major | 0 | 4B | 70 BPM | ||
Liebestraum No.2 in E Flat Major, S.541 No.2 - nach einem Gedicht von Ludwig Uhland: Notturno II: Seliger Tod | Franz Liszt, Daniel Barenboim | E Major | 0 | 12B | 136 BPM | ||
Symphony No. 1 in B-Flat Major, Op. 2, "New Year Ode": II. Moderato e dolce | William Boyce, Aradia Ensemble, Kevin Mallon | F♯ Minor | 0 | 11A | 80 BPM | ||
Oboe Concerto in C Major, Op. 9, No. 5: I. Allegro | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | C Major | 3 | 8B | 108 BPM | ||
Concerto for Strings in G Minor, RV 157: II. Largo | Antonio Vivaldi, Accademia I Filarmonici, Alberto Martini | B♭ Major | 5 | 6B | 124 BPM | ||
Nocturne No. 4 in A Major | John Field, Benjamin Frith | A Major | 0 | 11B | 69 BPM | ||
24 Preludes, Op. 34: No. 21 in B-Flat Major. Allegretto poco moderato | Dmitri Shostakovich, Tatiana Nikolayeva | G Major | 1 | 9B | 63 BPM | ||
Lyric Pieces Book IV, Op.47: No. 4 Halling | Edvard Grieg, Emil Gilels | D Major | 1 | 10B | 113 BPM | ||
Schoenberg: Verklärte Nacht, Op. 4: III. A tempo | Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra, Charles Pikler, John Sharp, Joseph Golan, Li-Kuo Chang, Ruben Gonzalez, Stephen Balderston | B♭ Minor | 1 | 3A | 86 BPM | ||
Phaëton, LWV 61: Ritournelle "Le printemps" | Jean-Baptiste Lully, Tafelmusik Baroque Orchestra, Jeanne Lamon | A♭ Major | 4 | 4B | 77 BPM |
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