Ernesto de Curtis, Luciano Pavarotti, Orchestra, Emerson Buckley's 'Non ti scordar di me - Live in Modena, 1985' came out on January 1, 2010. The duration of Non ti scordar di me - Live in Modena, 1985 is about 3 minutes long, at 3:21. Based on our data, "Non ti scordar di me - Live in Modena, 1985" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Luciano Pavarotti's "Luciano Pavarotti: The Ultimate Collection Live – Over 100 Tracks Live in Concert and at the Opera" album is number 63 out of 115. On top of that, United States appears to be the country where this track was created. Non ti scordar di me - Live in Modena, 1985 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Non ti scordar di me - Live in Modena, 1985 by Ernesto de Curtis, Luciano Pavarotti, Orchestra, Emerson Buckley to be Adagio (slowly with great expression) because the track has a tempo of 67 BPM, a half-time of 34BPM, and a double-time of 134 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lakmé / Act 1: Viens, Mallika, ... Dôme épais (Flower Duet) | Léo Delibes, Anna Netrebko, Elina Garanca, SWR Symphony Orchestra, Marco Armiliato | B Major | 1 | 1B | 80 BPM | ||
Bernstein / Arr. Schifrin: Around the World: America (From "West Side Story") [Live] | Leonard Bernstein, The Three Tenors, Zubin Mehta, Los Angeles Philharmonic | G Major | 4 | 9B | 96 BPM | ||
I'te vurria vasà | Eduardo di Capua, Alfredo Mazzucchi, Luciano Pavarotti, Orchestra del Teatro Comunale di Bologna, Giancarlo Chiaramello | G Minor | 3 | 6A | 84 BPM | ||
Casta Diva | OperaBabes | D Minor | 3 | 7A | 67 BPM | ||
Serenata, "Rimpianto" (arr. for violin and piano) | Anonymous, Enrico Toselli, Ana-Maria Lungu, Christoph Weinhart | D Major | 2 | 10B | 91 BPM | ||
Il barbiere di Siviglia (The Barber of Seville): Overture | Gioachino Rossini, Zagreb Festival Orchestra, Michael Halasz | E Major | 1 | 12B | 171 BPM | ||
Tagliaferri: Passione | Luciano Pavarotti, Giancarlo Chiaramello, Orchestra del Teatro Comunale di Bologna | A Minor | 3 | 8A | 126 BPM | ||
Carmina Burana / III. Cour d'amours: "In trutina" | Carl Orff, Gundula Janowitz, Orchester der Deutschen Oper Berlin, Eugen Jochum | G Major | 0 | 9B | 89 BPM | ||
De Curtis/ Arr Schifrin: Around the World Part 12: Torna a Surriento | Ernesto de Curtis, The Three Tenors, Zubin Mehta, Los Angeles Philharmonic | E♭ Minor | 3 | 2A | 80 BPM | ||
Così fan tutte, K. 588 / Act I: "Soave sia il vento" | Wolfgang Amadeus Mozart, Miah Persson, Angela Brower, Alessandro Corbelli, Chamber Orchestra of Europe, Yannick Nézet-Séguin | G Minor | 1 | 6A | 88 BPM |
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