Leonard Bernstein, The Three Tenors, Zubin Mehta, Los Angeles Philharmonic made "Bernstein / Arr. Schifrin: Around the World: America (From "West Side Story") [Live]" available on August 1, 1994. With Bernstein / Arr. Schifrin: Around the World: America (From "West Side Story") [Live] being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 27 in the song's album "The Three Tenors in Concert, 1994 (Live)". In this album, this song's track order is #14. In terms of popularity, Bernstein / Arr. Schifrin: Around the World: America (From "West Side Story") [Live] is currently below average in popularity. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Bernstein / Arr. Schifrin: Around the World: America (From "West Side Story") [Live] by Leonard Bernstein, The Three Tenors, Zubin Mehta, Los Angeles Philharmonic having a BPM of 96 with a half-time of 48 BPM and a double-time of 192 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Core 'ngrato | Salvatore Cardillo, Jonathan Antoine, Julian Reynolds, Latvian National Opera Chamber Orchestra | E♭ Major | 1 | 5B | 90 BPM | ||
West Side Story: I. Prologue | Leonard Bernstein | E Major | 1 | 12B | 66 BPM | ||
Gounod: Faust, Act 2: "Le veau d'or est toujours debout" (Méphistophélès, Chorus) | Charles Gounod, André Cluytens, Boris Christoff, Orchestre du Théâtre National de l'Opéra de Paris | B Minor | 7 | 10A | 141 BPM | ||
Les Contes d'Hoffmann / Act 1: Les oiseaux dans la charmille | Jacques Offenbach, Dame Joan Sutherland, Jacques Charon, Chorus Pro Arte Lausanne Du Brassus, Radio Suisse Romande Chorus, Orchestre de la Suisse Romande, Richard Bonynge | A♭ Major | 1 | 4B | 136 BPM | ||
Peter and the Wolf, Op. 67: Andantino | Sergei Prokofiev, New York Philharmonic, Leonard Bernstein | A♭ Major | 2 | 4B | 79 BPM | ||
Dich, teure halle from Tannhäuser - Vocal | Richard Wagner, Zubin Mehta, New York Philharmonic | E Minor | 1 | 9A | 87 BPM | ||
Turandot / Act 1: Non piangere Liù | Giacomo Puccini, Luciano Pavarotti, Montserrat Caballé, Nicolai Ghiaurov, Tom Krause, Pier Francesco Poli, Piero de Palma, John Alldis Choir, London Philharmonic Orchestra, Zubin Mehta | E♭ Minor | 4 | 2A | 111 BPM | ||
Rossini : La Cenerentola : Act 2 "Non più mesta accanto al fuoco" [Cenerentola, Clorinda, Tisbe, Dandini, Magnifico, Chorus] | Gioachino Rossini, Carlo Rizzi, Orchestra of the Royal Opera House, Covent Garden | E Major | 2 | 12B | 127 BPM | ||
Barroso / Arr Schifrin: Around the World Part 5: Brazil | Ary Barroso, The Three Tenors, Zubin Mehta, Los Angeles Philharmonic | C Minor | 7 | 5A | 118 BPM | ||
Vienna Blood Waltz, Op. 354 | Johann Strauss II, Leonard Bernstein | C Major | 2 | 8B | 110 BPM |
Section: 0.6322004795074463
End: 0.6355359554290771