Ary Barroso, The Three Tenors, Zubin Mehta, Los Angeles Philharmonic's 'Barroso / Arr Schifrin: Around the World Part 5: Brazil' came out on August 1, 1994. With Barroso / Arr Schifrin: Around the World Part 5: Brazil being less than two minutes long, at 1:26, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 27 in the song's album "The Three Tenors in Concert, 1994". In this album, this song's track order is #18. In terms of popularity, Barroso / Arr Schifrin: Around the World Part 5: Brazil is currently below average in popularity. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Barroso / Arr Schifrin: Around the World Part 5: Brazil by Ary Barroso, The Three Tenors, Zubin Mehta, Los Angeles Philharmonic having a BPM of 118 with a half-time of 59 BPM and a double-time of 236 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
C Minor is the music key of this track. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Rossini: La cenerentola, Act 2: "Nacqui all'affanno e al pianto.....Non più mesta" (Angelina) | Gioachino Rossini, Maria Callas, Nicola Rescigno, Orchestre De La Société Des Concerts Du Conservatoire | E Major | 1 | 12B | 122 BPM | ||
Chorando | Ary Barroso | F♯ Minor | 4 | 11A | 123 BPM | ||
Madama Butterfly - Act II | Renata Tebaldi, Orchestra of the Accademia di Santa Cecilia & Roma, Tullio Serafin | F♯ Major | 1 | 2B | 81 BPM | ||
Die Fledermaus / Act 1: "Mein Herr, was dächten Sie von mir" | Johann Strauss II, Kiri Te Kanawa, Richard Leech, Tom Krause, Wiener Philharmoniker, André Previn | G Major | 1 | 9B | 131 BPM | ||
De Curtis / Arr. Lozi: Tu, ca nun chiagne (Live) | Ernesto de Curtis, José Carreras, Zubin Mehta, Los Angeles Philharmonic | D Minor | 3 | 7A | 90 BPM | ||
Samson et Dalila, Op. 47, Act II: Mon coeur s'ouvre a ta voix | Camille Saint-Saëns, Lauris Elms, Geoffrey Arnold, West Australian Symphony Orchestra | F♯ Major | 1 | 2B | 81 BPM | ||
The Godfather: parla più piano | Alessandro Safina | C Minor | 3 | 5A | 138 BPM | ||
La Wally / Act 1: "Ebben? Ne andrò lontana" | Alfredo Catalani, Angela Gheorghiu, Orchestra del Teatro Regio di Torino, John Mauceri | E Major | 1 | 12B | 87 BPM | ||
Don Giovanni / Act 1: "Fin ch'han dal vino" | Wolfgang Amadeus Mozart, Tom Krause, Vienna Haydn Orchestra, István Kertész | F Major | 6 | 7B | 118 BPM | ||
O Mio Babbino Caro | Sarah Brightman | A♭ Major | 4 | 4B | 81 BPM |
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