"Tagliaferri: Passione" by Luciano Pavarotti, Giancarlo Chiaramello, Orchestra del Teatro Comunale di Bologna was released on 2004. With this song being around four minutes long, at 3:44, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 31 in the song's album "The Very Best of Pavarotti (2 CDs + DVD)". In this album, this song's track order is #5. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, Tagliaferri: Passione's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Tagliaferri: Passione by Luciano Pavarotti, Giancarlo Chiaramello, Orchestra del Teatro Comunale di Bologna having a BPM of 126 with a half-time of 63 BPM and a double-time of 252 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
This song is in the music key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Live Like Horses - Studio Version | Elton John, Luciano Pavarotti | G Major | 2 | 9B | 134 BPM | ||
Casanova: Nuns' Chorus | Johann Strauss II, Kiri Te Kanawa, The Tabernacle Choir at Temple Square, Utah Symphony Orchestra, Julius Rudel | F♯ Major | 2 | 2B | 100 BPM | ||
Un ballo in maschera / Act 1: "E scherzo od è follia" | Giuseppe Verdi, Luciano Pavarotti, Regina Resnik, Leonardo Monreale, Nicolas Christou, Helen Donath, Coro dell'Accademia Nazionale Di Santa Cecilia, Orchestra dell'Accademia Nazionale di Santa Cecilia, Bruno Bartoletti | C Minor | 0 | 5A | 69 BPM | ||
Caro mio ben | Giuseppe Giordani, Ramón Vargas | G Major | 2 | 9B | 91 BPM | ||
Cleofide: Generoso risuegliati o core (Air de Poro) | Derek Lee Ragin, Christophe Rousset, Les Talens Lyriques, Ewa Mallas-godlewska | A♭ Major | 3 | 4B | 152 BPM | ||
La Cenerentola / Act 2: "Son qui" | Gioachino Rossini, William Matteuzzi, Cecilia Bartoli, Gloria Banditelli, Fernanda Costa, Enzo Dara, Alessandro Corbelli, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly | E♭ Major | 1 | 5B | 122 BPM | ||
I Puritani / Act 1: A te, o cara | Vincenzo Bellini, Luciano Pavarotti, Nicolai Ghiaurov, Gian Carlo Luccardi, Dame Joan Sutherland, Chorus of the Royal Opera House, Covent Garden, London Symphony Orchestra, Richard Bonynge | D Major | 2 | 10B | 86 BPM | ||
Il barbiere di Siviglia / Act 1: No.2 Cavatina: "Largo al factotum" | Gioachino Rossini, Manuel Ausensi, Orchestra del Teatro San Carlo di Napoli, Silvio Varviso | C Major | 3 | 8B | 113 BPM | ||
Non ti scordar di me | Beniamino Gigli | A Major | 3 | 11B | 82 BPM | ||
Il barbiere di Siviglia (The Barber of Seville), Act I: Cavatina: Largo al factotum della citta | Gioachino Rossini, Peter Mattei, Royal Stockholm Philharmonic Orchestra, Lawrence Renes | C Major | 3 | 8B | 99 BPM |
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