Gioachino Rossini, Peter Mattei, Royal Stockholm Philharmonic Orchestra, Lawrence Renes made "Il barbiere di Siviglia (The Barber of Seville), Act I: Cavatina: Largo al factotum della citta" available on April 5, 2011. With this song being about 5 minutes long, at 5:00, "Il barbiere di Siviglia (The Barber of Seville), Act I: Cavatina: Largo al factotum della citta" by Gioachino Rossini, Peter Mattei, Royal Stockholm Philharmonic Orchestra, Lawrence Renes is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Peter Mattei, Lawrence Renes's "Mattei, Peter: Great Baritone Arias" album is number 10 out of 15. On top of that, Sweden appears to be the country where this track was created. In terms of popularity, Il barbiere di Siviglia (The Barber of Seville), Act I: Cavatina: Largo al factotum della citta is currently average in popularity. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Il barbiere di Siviglia (The Barber of Seville), Act I: Cavatina: Largo al factotum della citta by Gioachino Rossini, Peter Mattei, Royal Stockholm Philharmonic Orchestra, Lawrence Renes to be Andante (at a walking pace) because the track has a tempo of 99 BPM, a half-time of 50BPM, and a double-time of 198 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The 4 Seasons: Violin Concerto in F major, Op. 8, No. 3, RV 293, "L'autunno" (Autumn): I. Allegro | Karoly Botvay | F Major | 0 | 7B | 107 BPM | ||
Vittoria, mio core! | Giacomo Carissimi, Cecilia Bartoli, György Fischer | C Major | 1 | 8B | 91 BPM | ||
Symphony No. 9 in E Minor, Op. 95 "From the New World": I. Adagio — Allegro molto | Antonín Dvořák, New York Philharmonic, Alan Gilbert | E Minor | 1 | 9A | 125 BPM | ||
Nel cor più non mi sento | Giovanni Paisiello, Cecilia Bartoli, György Fischer | F Major | 0 | 7B | 138 BPM | ||
Carmen, Opera Suite No. 1: I. Prelude, Act 1 | London Festival Orchestra Alfred Scholz | G Minor | 1 | 6A | 47 BPM | ||
Romeo and Juliet, Op. 64 / Act 1: Dance Of The Knights | Sergei Prokofiev, Cleveland Orchestra, Lorin Maazel | C Major | 1 | 8B | 79 BPM | ||
Concerto for Strings in G Major, RV 151, "Alla Rustica": I. Presto | Antonio Vivaldi, Accademia I Filarmonici, Alberto Martini | D Major | 3 | 10B | 107 BPM | ||
Il Trovatore / Act 3: "Di quella pira" | Giuseppe Verdi, Luciano Pavarotti, National Philharmonic Orchestra, Richard Bonynge | C Major | 4 | 8B | 89 BPM | ||
Turkish March | Arthur Fiedler | B♭ Major | 3 | 6B | 128 BPM | ||
Symphony No. 5 In C Minor, Op. 67: I. Allegro Con Brio | Ludwig van Beethoven, Anton Nanut, Russian Symphony Orchestra Ljubljana | C Minor | 2 | 5A | 95 BPM |
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