"Rigoletto (1908 Recording): Act III: La donna è mobile" by Giuseppe Verdi, Enrico Caruso was released on 1990. The duration of Rigoletto (1908 Recording): Act III: La donna è mobile is about two minutes long, specifically at 2:11. This song does not appear to have any foul language. Rigoletto (1908 Recording): Act III: La donna è mobile's duration is considered a little bit shorter than the average duration of a typical track. The song is number 3 out of 206 in Enrico Caruso - The Complete Victor Recordings by Enrico Caruso. Rigoletto (1908 Recording): Act III: La donna è mobile is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Rigoletto (1908 Recording): Act III: La donna è mobile by Giuseppe Verdi, Enrico Caruso is Adagio (slowly with great expression), since this song has a tempo of 73 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of B Major. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Il Trovatore / Act 3: "Di quella pira" | Giuseppe Verdi, Joseph Calleja, Angela Gheorghiu, Apollo Voices, Orquestra de la Comunitat Valenciana, Ramón Tebar | C Major | 4 | 8B | 80 BPM | ||
Roméo et Juliette, CG 9 / Act 1: "Ah, je veux vivre" | Charles Gounod, Renée Fleming, London Philharmonic Orchestra, Sir Charles Mackerras | C Major | 2 | 8B | 77 BPM | ||
L'ultima canzone | Francesco Paolo Tosti, Luciano Pavarotti, Philharmonia Orchestra, Piero Gamba | D Major | 2 | 10B | 72 BPM | ||
Don Pasquale / Act 3: "Com'è gentil...tornami a dir" | Gaetano Donizetti, Juan Diego Flórez, Andrea Menafra, Rossella Perrone, Giulio Patara, Coro Sinfonico di Milano Giuseppe Verdi, Orchestra Sinfonica di Milano Giuseppe Verdi, Riccardo Frizza | A Major | 2 | 11B | 102 BPM | ||
Bizet: Carmen, Act 2: "Les tringles des sistres tintaient" (Carmen, Frasquita, Mercédès) | Georges Bizet, Maria Callas, Orchestre de l'Opéra National de Paris, Georges Prêtre, Orchestre du Théâtre National de l'Opéra Paris | C Major | 2 | 8B | 138 BPM | ||
Madama Butterfly / Act 2: Un bel dì vedremo | Giacomo Puccini, Renée Fleming, London Philharmonic Orchestra, Sir Charles Mackerras | D♭ Major | 1 | 3B | 77 BPM | ||
Verdi: Messa da Requiem - Libera me: VIIc. Requiem aeternam | Giuseppe Verdi, Claudio Abbado, Angela Gheorghiu, Berliner Philharmoniker | F♯ Major | 1 | 2B | 81 BPM | ||
Die Fledermaus: Overture | Johann Strauss II, Bavarian State Orchestra, Carlos Kleiber | D Major | 2 | 10B | 109 BPM | ||
Rigoletto / Act 2: "Ella mi fu rapita... Parmi veder le lagrime" | Giuseppe Verdi, Jonas Kaufmann, Prague Philharmonic Orchestra, Marco Armiliato | D♭ Major | 2 | 3B | 89 BPM | ||
Turandot / Act 1: "Popoli di Pekino!" | Giacomo Puccini, Sabin Markov, Montserrat Caballé, Luciano Pavarotti, Nicolai Ghiaurov, John Alldis Choir, London Philharmonic Orchestra, Zubin Mehta | A♭ Major | 3 | 4B | 134 BPM |
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