- BPM
- 81
- Key
- F♯ Major
- Camelot
- 2B
Verdi: Messa da Requiem - Libera me: VIIc. Requiem aeternam - Giuseppe Verdi, Claudio Abbado, Angela Gheorghiu, Berliner Philharmoniker Information
- Acousticness
- 99%
- Danceability
- 17%
- Energy
- 6%
- Instrumentalness
- 6%
- Liveness
- 13%
- Loudness
- 51%
- Speechiness
- 5%
- Valence
- 4%
- Popularity
- 12%
- Loudness
- -29.162 dB
Summary
"Verdi: Messa da Requiem - Libera me: VIIc. Requiem aeternam" by Giuseppe Verdi, Claudio Abbado, Angela Gheorghiu, Berliner Philharmoniker was released on November 6, 2001. The duration of Verdi: Messa da Requiem - Libera me: VIIc. Requiem aeternam is about 3 minutes long, at 3:04. Based on our data, "Verdi: Messa da Requiem - Libera me: VIIc. Requiem aeternam" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. This song is part of Verdi: Messa da Requiem by Giuseppe Verdi, Roberto Alagna, Angela Gheorghiu, Berliner Philharmoniker, Claudio Abbado. The song's track number on the album is #8 out of 21 tracks. Verdi: Messa da Requiem - Libera me: VIIc. Requiem aeternam is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Verdi: Messa da Requiem - Libera me: VIIc. Requiem aeternam BPM
Since Verdi: Messa da Requiem - Libera me: VIIc. Requiem aeternam by Giuseppe Verdi, Claudio Abbado, Angela Gheorghiu, Berliner Philharmoniker has a tempo of 81 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Verdi: Messa da Requiem - Libera me: VIIc. Requiem aeternam being at 81 BPM, the half-time would be 40 BPM with a double-time of 162 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 1/4.
Verdi: Messa da Requiem - Libera me: VIIc. Requiem aeternam Key
This song is in the music key of F♯ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Wagner: Tristan und Isolde, Act 2: "O sink hernieder, Nacht der Liebe" (Isolde, Tristan) | Richard Wagner, Daniel Barenboim, Berliner Philharmoniker, Siegfried Jerusalem, Waltraud Meier | A Major | 0 | 11B | 133 BPM | |
 | Requiem in D Minor, K. 626: 3. Sequentia: Confutatis - Live | Wolfgang Amadeus Mozart, Claudio Abbado, Berliner Philharmoniker, Swedish Radio Choir, Kay Johannsen | F Major | 0 | 7B | 70 BPM | |
 | Symphony No.9 In D / 1. Satz: Andante comodo | Gustav Mahler, Berliner Philharmoniker, Herbert von Karajan | D Major | 1 | 10B | 172 BPM | |
 | Carmina Burana / Uf dem Anger: "Floret silva nobilis" | Carl Orff, Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Eugen Jochum | G Major | 0 | 9B | 105 BPM | |
 | Die Zauberflöte, K.620 / Act 1: "Dies Bildnis ist bezaubernd schön" | Wolfgang Amadeus Mozart, Christoph Strehl, Mahler Chamber Orchestra, Claudio Abbado | E♭ Major | 1 | 5B | 74 BPM | |
 | Gretchen am Spinnrade, D.118 - Orchestrated By Max Reger - Live | Franz Schubert, Anne Sofie von Otter, Chamber Orchestra of Europe, Claudio Abbado | C Minor | 1 | 5A | 169 BPM | |
 | Salammbô: Chorus Of Priestesses - Live | Modest Mussorgsky, Berliner Philharmoniker, Claudio Abbado, Prague Philharmonic Chorus | F♯ Major | 0 | 2B | 75 BPM | |
 | Le nozze di Figaro, K.492 / Act 1: "Non so più cosa son, cosa faccio" | Wolfgang Amadeus Mozart, Cecilia Bartoli, Wiener Philharmoniker, Claudio Abbado | G Major | 2 | 9B | 122 BPM | |
 | Orff: Carmina Burana, Pt. 2, In Taberna: Ego sum abbas Cucaniensis | Carl Orff, Sir Simon Rattle/Berliner Philharmoniker/Sally Matthews/Christian Gerhaher/Lawrence Brownlee/Knaben des Staats- und Domchors Berlin/Simon Halsey/Rundfunkchor Berlin, Christian Gerhaher, Sir Simon Rattle, Berliner Philharmoniker | E Minor | 2 | 9A | 99 BPM | |
 | La Bohème / Act 2: "Quando m'en vo'" (Musetta's Waltz) | Giacomo Puccini, Elizabeth Harwood, Michel Sénéchal, Mirella Freni, Luciano Pavarotti, Nicolai Ghiaurov, Rolando Panerai, Gianni Maffeo, Schöneberger Sängerknaben, Chor der Deutschen Oper Berlin, Berliner Philharmoniker, Herbert von Karajan | A Major | 3 | 11B | 71 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.7530570030212402
End: 0.7576601505279541