"Salammbô: Chorus Of Priestesses - Live" by Modest Mussorgsky, Berliner Philharmoniker, Claudio Abbado, Prague Philharmonic Chorus was released on January 1, 1994. With this song being about 5 minutes long, at 5:10, "Salammbô: Chorus Of Priestesses - Live" by Modest Mussorgsky, Berliner Philharmoniker, Claudio Abbado, Prague Philharmonic Chorus is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Modest Mussorgsky, Elena Zaremba, Berliner Philharmoniker, Claudio Abbado, Prague Philharmonic Chorus, Pavel Kühn's "Mussorgsky: Pictures At An Exhibition" album is number 3 out of 20. Salammbô: Chorus Of Priestesses - Live is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Salammbô: Chorus Of Priestesses - Live by Modest Mussorgsky, Berliner Philharmoniker, Claudio Abbado, Prague Philharmonic Chorus to be Adagio (slowly with great expression) because the track has a tempo of 75 BPM, a half-time of 38BPM, and a double-time of 150 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
All-night Vigil, Op. 37, "Vespers": Come, let us worship | Sergei Rachmaninoff, Eugen Antoni, Raisa Palmu, Erja Wimeri, Finnish National Opera Chorus, Eric-Olof Söderström | G Minor | 2 | 6A | 100 BPM | ||
Khovanshchina: Overture (Prelude) | Modest Mussorgsky, Mariinsky Orchestra, Valery Gergiev | D♭ Major | 0 | 3B | 90 BPM | ||
Le Sacre du Printemps - Revised version for Orchestra (published 1947) / Part 1: The Adoration of the Earth: Ritual of the Rival Tribes | Igor Stravinsky, Berliner Philharmoniker, Herbert von Karajan | C Minor | 4 | 5A | 82 BPM | ||
Pictures At An Exhibition (Orch. Ravel): Promenade IV | Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel | D Minor | 0 | 7A | 82 BPM | ||
Die Zauberflöte, K.620: Overture | Wolfgang Amadeus Mozart, Berliner Philharmoniker, Herbert von Karajan | E♭ Major | 1 | 5B | 119 BPM | ||
Carmen Suite No. 2 (Arr. E. Guiraud): III. Nocturne | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | B♭ Major | 2 | 6B | 92 BPM | ||
La pentola magica, P. 129: Preludio | Ottorino Respighi, Jakub Francisci, Slovak Radio Symphony Orchestra, Adriano | D Minor | 0 | 7A | 91 BPM | ||
Salammbô: Chorus Of Priestesses - Live | Modest Mussorgsky, Berliner Philharmoniker, Claudio Abbado, Prague Philharmonic Chorus | F♯ Major | 0 | 2B | 75 BPM | ||
Symphony No. 1 in D Major: 2. Kräftig bewegt - Live | Gustav Mahler, Berliner Philharmoniker, Claudio Abbado | A Major | 1 | 11B | 96 BPM | ||
Symphony No. 3 in A Minor, Op. 56, MWV N 18 - "Scottish": II. Vivace non troppo | Felix Mendelssohn, Berliner Philharmoniker, Herbert von Karajan | F Major | 2 | 7B | 123 BPM |
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