"Die Zauberflöte, K.620: Overture" by Wolfgang Amadeus Mozart, Berliner Philharmoniker, Herbert von Karajan was released on January 1, 1980. Since Die Zauberflöte, K.620: Overture is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Wolfgang Amadeus Mozart, Berliner Philharmoniker, Herbert von Karajan's "Mozart: Die Zauberflöte" album is number 1 out of 30. On top of that, Germany appears to be the country where this track was created. In terms of popularity, Die Zauberflöte, K.620: Overture is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Die Zauberflöte, K.620: Overture by Wolfgang Amadeus Mozart, Berliner Philharmoniker, Herbert von Karajan to be Moderato (at a moderate speed) because the track has a tempo of 119 BPM, a half-time of 60BPM, and a double-time of 238 BPM. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
The music key of this track is E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Pelléas et Mélisande, (Suite), Op. 46: VI. Pastorale | Jean Sibelius, Berliner Philharmoniker, Herbert von Karajan | A♭ Major | 0 | 4B | 182 BPM | ||
Violin Concerto No.1 In G Minor, Op.26: 1. Vorspiel (Allegro moderato) | Max Bruch, Anne-Sophie Mutter, Berliner Philharmoniker, Herbert von Karajan | E♭ Major | 1 | 5B | 105 BPM | ||
Der Stein der Weisen, Act I: Dialogue (1) | Wolfgang Amadeus Mozart, Johann Baptist Henneberg, Benedikt Schack, Franz Xaver Gerl, Emanuel Schikaneder, Kevin Deas, Jane Giering-De Haan, Judith Lovat, Paul Austin Kelly | A Minor | 4 | 8A | 120 BPM | ||
Symphony No. 1 in C Minor - "Linz Version" 1866: III. Scherzo. Lebhaft | Anton Bruckner, Berliner Philharmoniker, Herbert von Karajan | B♭ Major | 1 | 6B | 96 BPM | ||
Variations on a Rococo Theme, Op. 33, TH. 57: Variazione IV: Andante grazioso | Pyotr Ilyich Tchaikovsky, Mstislav Rostropovich, Berliner Philharmoniker, Herbert von Karajan | G Major | 0 | 9B | 66 BPM | ||
Symphony No.3 In C Minor, Op.78 "Organ Symphony": 2. Allegro moderato - Presto - Allegro moderato - Maestoso - Più allegro - Molto allegro | Camille Saint-Saëns, Simon Preston, Berliner Philharmoniker, James Levine | F Minor | 2 | 4A | 117 BPM | ||
Vivaldi: The Four Seasons, Violin Concerto in G Minor, Op. 8 No. 2, RV 315 "Summer": II. Adagio | Antonio Vivaldi, Anne-Sophie Mutter, Herbert von Karajan | F Minor | 2 | 4A | 173 BPM | ||
La Cenerentola: Overture (Sinfonia) | Gioachino Rossini, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly | A Minor | 1 | 8A | 116 BPM | ||
Die Entfuhrung Aus Dem Serail (Abduction From The Seraglio), K. 384: Final Chorus | Slovak Philharmonic Chorus, Slovak Radio Symphony Orchestra, Wolfgang Amadeus Mozart, C. F. Bretzner | D Minor | 4 | 7A | 72 BPM | ||
Idomeneo re di Creta, K. 366: Act I Scene 11: Ballo delle donne Cretesi | Wolfgang Amadeus Mozart, Christian Elsner, Kristina Hammarstrom, Henriette Bonde-Hansen, Raffaella Milanesi, Christoph Strehl, Goran Eliasson, Stephen Milling, Ditte Andersen, Maria Kontra, Mathias Hedegaard, Jakob Bloch Jepsen, Danish National Choir, Richard Lewis, Danish Radio Sinfonietta, Ádám Fischer | G Major | 0 | 9B | 147 BPM |
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