"Die Kommissarin (The Commissar): Attacke" by Alfred Schnittke, Berlin Radio Symphony Orchestra, Frank Strobel was released on January 1, 2005. The duration of Die Kommissarin (The Commissar): Attacke is about 3 minutes long, at 3:21. Based on our data, "Die Kommissarin (The Commissar): Attacke" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 17 in the song's album "Schnittke, A.: Film Music, Vol. 1". In this album, this song's track order is #9. Furthermore, we believe that the track originated from United States. Die Kommissarin (The Commissar): Attacke is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Die Kommissarin (The Commissar): Attacke by Alfred Schnittke, Berlin Radio Symphony Orchestra, Frank Strobel having a BPM of 64 with a half-time of 32 BPM and a double-time of 128 BPM, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
G Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Preludes: Le nombre leger (The Light Number) | Olivier Messiaen, Håkon Austbø | B Major | 1 | 1B | 68 BPM | ||
Schoenberg: 6 Little Piano Pieces, Op. 19: No. 1 Leicht, zart | Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra | A Minor | 0 | 8A | 69 BPM | ||
Verklärte Nacht, Op.4: 4. Sehr breit und langsam (bar 229) | Arnold Schoenberg, Janine Jansen, Boris Brovtsyn, Amihai Grosz, Maxim Rysanov, Torleif Thedéen, Jens-Peter Maintz | D♭ Major | 1 | 3B | 91 BPM | ||
Belshazzar's Feast, JS 48: Act II: Prelude: Nocturno | Jean Sibelius, Turku Philharmonic Orchestra, Leif Segerstam | D♭ Major | 0 | 3B | 81 BPM | ||
3 Pieces for cello and piano: No. 2. Sans vitesse et a l'aise | Nadia Boulanger, Nicolas Altstaedt, José Gallardo | F Major | 0 | 7B | 83 BPM | ||
Chaconne in G Minor | Tomaso Antonio Vitali, Jascha Heifetz, Richard Ellsasser | G Minor | 4 | 6A | 80 BPM | ||
Josquiniana: I. Helas madame | Charles Wuorinen, Brentano String Quartet | D Minor | 0 | 7A | 101 BPM | ||
La Mer, L.109: 1. From Dawn Till Noon On The Sea (De l'aube à midi sur la mer) | Claude Debussy, Orchestre Symphonique de Montréal, Charles Dutoit | F♯ Major | 1 | 2B | 61 BPM | ||
Child Falling Asleep, Op. 15 No. 12 (Arr. W. Newell for String Quartet) | Robert Schumann, The Solem Quartet, Amy Tress, William Newell, Stephen Upshaw, Stephanie Tress | E Major | 0 | 12B | 72 BPM | ||
Trombone Concerto (arr. A. Schnittke): I. Allegro guisto | Alfred Schnittke, Nino Rota, Christian Lindberg, Tapiola Sinfonietta, Osmo Vänskä | D Major | 0 | 10B | 113 BPM |
Section: 1.257596731185913
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