"Verklärte Nacht, Op.4: 4. Sehr breit und langsam (bar 229)" by Arnold Schoenberg, Janine Jansen, Boris Brovtsyn, Amihai Grosz, Maxim Rysanov, Torleif Thedéen, Jens-Peter Maintz was released on January 1, 2012. Since Verklärte Nacht, Op.4: 4. Sehr breit und langsam (bar 229) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 9 in the song's album "Schubert: String Quintet - Schoenberg: Verklärte Nacht". In this album, this song's track order is #4. In terms of popularity, Verklärte Nacht, Op.4: 4. Sehr breit und langsam (bar 229) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Verklärte Nacht, Op.4: 4. Sehr breit und langsam (bar 229) by Arnold Schoenberg, Janine Jansen, Boris Brovtsyn, Amihai Grosz, Maxim Rysanov, Torleif Thedéen, Jens-Peter Maintz having a BPM of 91 with a half-time of 46 BPM and a double-time of 182 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
D♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Legende | Frederick Delius, Andrew Davis, BBC Philharmonic, Tasmin Little | A♭ Major | 1 | 4B | 86 BPM | ||
Poème de l'amour et de la mer, Op. 19: Interlude | Ernest Chausson, Véronique Gens, Orchestre National de Lille, Alexandre Bloch | A♭ Major | 0 | 4B | 108 BPM | ||
Sonata for Violin and Cello: I. Allegro | Maurice Ravel, Oleh Krysa, Torleif Thedéen | G Major | 2 | 9B | 71 BPM | ||
Berceuse, S. 174 | Franz Liszt, Benjamin Grosvenor | D♭ Major | 0 | 3B | 136 BPM | ||
Piano Trio No. 1 in D Minor, Op. 49: II. Andante con moto tranquillo | Felix Mendelssohn, Yo-Yo Ma, Itzhak Perlman, Emanuel Ax | B♭ Major | 0 | 6B | 63 BPM | ||
7 Worte (7 Words): III. Wahrlich, ich sage dir: Heute wirst du mit mir im Paradiese sein | Sofia Gubaidulina, Torleif Thedéen, 御喜美江, Gothenburg Symphony Orchestra, Mario Venzago | E Minor | 0 | 9A | 80 BPM | ||
String Quartet No.12 In F Major, Op.96 - "American" B.179: 4. Finale (Vivace ma non troppo) | Antonín Dvořák, Hagen Quartett | F Major | 1 | 7B | 80 BPM | ||
4 Impromptus, Op.90, D.899: No.3 in G Flat Major: Andante | Franz Schubert, Radu Lupu | F♯ Major | 0 | 2B | 173 BPM | ||
Cello Sonata No. 1 in F Major, Op. 37: II. Andante sostenuto | Robert Kahn, Torleif Thedéen, Oliver Triendl | D Minor | 1 | 7A | 86 BPM | ||
2 Pieces: II. Langsam | Anton Webern, Torleif Thedéen, Roland Pöntinen | G Major | 0 | 9B | 130 BPM |
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