Michel Richard Delalande, Arion Orchestre Baroque, Mathieu Lussier's 'Recueil d’airs détachés et d’airs de violons, Cinquième Suite: IV. 3e air' came out on September 8, 2023. With Recueil d’airs détachés et d’airs de violons, Cinquième Suite: IV. 3e air being less than two minutes long, at 1:30, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Arion Orchestre Baroque, Mathieu Lussier's "Les soupers du roy" album is number 4 out of 26. On top of that, Canada appears to be the country where this track was created. Based on our statistics, Recueil d’airs détachés et d’airs de violons, Cinquième Suite: IV. 3e air's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Recueil d’airs détachés et d’airs de violons, Cinquième Suite: IV. 3e air by Michel Richard Delalande, Arion Orchestre Baroque, Mathieu Lussier to be Allegro (fast, quick, and bright) because the track has a tempo of 127 BPM, a half-time of 64BPM, and a double-time of 254 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto in C Minor, Op. 6 No. 3: III. Grave | Arcangelo Corelli, Musica Amphion, Pieter-Jan Belder | B♭ Minor | 2 | 3A | 70 BPM | ||
Beatus vir, ZWV 75: Gloria Patri - After Psalm 111 | Jan Dismas Zelenka, Adam Viktora, Inégal Ensemble, Prague Baroque Solists | A♭ Minor | 1 | 1A | 103 BPM | ||
Sonata a 6 in D Minor, G. 23 | David Pohle, Clematis, Brice Sailly, Stéphanie de Failly | D Major | 1 | 10B | 93 BPM | ||
Germanico in Germania, Act II Scene 12: Terzetto. Temi lo sdegno mio (Germanico, Arminio, Rosmonda) | Nicola Porpora, Samuel Mariño, Valer Sabadus, Filippo Mineccia, Orchestre de l'Opéra Royal, Stefan Plewniak | A♭ Major | 4 | 4B | 126 BPM | ||
Te Deum, S.32: V. Te gloriosus Apostolorum | Michel Richard Delalande, Le Poème Harmonique, Ensemble Aedes, Vincent Dumestre, Emmanuelle De Negri, Dagmar Saskova | B Major | 1 | 1B | 180 BPM | ||
La canzone di Cecilia | Anonymous, Cappella Mediterranea, Leonardo García-Alarcón, Valerio Contaldo, Ana Vieira Leite, Matteo Bellotto | B♭ Minor | 0 | 3A | 110 BPM | ||
Dies irae, S. 31: Dies irae | Michel Richard Delalande, La Chapelle Royale, Philippe Herreweghe, Collegium Vocale Gent | B Minor | 0 | 10A | 135 BPM | ||
Scylla et Glaucus, Op. 11: Prologue. Sarabande pour les Peuples d’Amathonte | Jean-Marie Leclair, d’Albaret, Orfeo Orchestra, Gyorgy Vashegyi | A♭ Major | 0 | 4B | 84 BPM | ||
Zaïde, reine de Grenade: Air pour les Turcs en rondeau | Joseph-Nicolas-Pancrace Royer, Orfeo Orchestra, Gyorgy Vashegyi | F♯ Major | 0 | 2B | 141 BPM | ||
Oratorio a 4 voci: “Tutti son del materno mio seno” | Leonardo Vinci, Andreas Scholl, Accademia Bizantina, Alessandro Tampieri | E Minor | 1 | 9A | 99 BPM |
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