Leonardo Vinci, Andreas Scholl, Accademia Bizantina, Alessandro Tampieri made "Oratorio a 4 voci: “Tutti son del materno mio seno”" available on March 8, 2024. With this song being about 5 minutes long, at 5:23, "Oratorio a 4 voci: “Tutti son del materno mio seno”" by Leonardo Vinci, Andreas Scholl, Accademia Bizantina, Alessandro Tampieri is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Andreas Scholl, Alessandro Tampieri, Accademia Bizantina's "Invocazioni Mariane" album is number 6 out of 27. On top of that, France appears to be the country where this track was created. In terms of popularity, Oratorio a 4 voci: “Tutti son del materno mio seno” is currently unknown. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Oratorio a 4 voci: “Tutti son del materno mio seno” by Leonardo Vinci, Andreas Scholl, Accademia Bizantina, Alessandro Tampieri to be Andante (at a walking pace) because the track has a tempo of 99 BPM, a half-time of 50BPM, and a double-time of 198 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto No. 2 In G Minor RV 578: III. Larghetto (Vivaldi) | Accademia Bizantina | F♯ Minor | 0 | 11A | 115 BPM | ||
San Giovanni Battista: Deste un tempo | Alessandro Stradella, Filippo Mineccia, Nereydas, Javier Ulises Illán | D Major | 2 | 10B | 116 BPM | ||
Salve Regina, R.616 (Antiphona): 1. "Salve Regina" (Andante) | Antonio Vivaldi, Andreas Scholl, Australian Brandenburg Orchestra, Paul Dyer | B Minor | 0 | 10A | 111 BPM | ||
Sonata No. 8 in D Minor: I. Allegro | Leonardo Vinci, Claudio Ferrarini | A Minor | 4 | 8A | 132 BPM | ||
Fac Me Vere | Andreas Scholl | E♭ Minor | 1 | 2A | 85 BPM | ||
Missa pro Defunctis in E-Flat Major, HocJ A1.3: V. Sanctus, 1. Sanctus, Dominus Deus | Niccolò Jommelli, Gudrun Sidonie Otto, Il Gardellino, Helen Charlston, Daniel Johannsen, Peter Van Heyghen | B♭ Minor | 2 | 3A | 77 BPM | ||
Theodora, HWV 68, Pt. I: Recitative. Vouchsafe, Dread Sir | George Frideric Handel, Arcangelo, Jonathan Cohen, Tim Mead, Adam Plachetka | D♭ Minor | 1 | 12A | 75 BPM | ||
Pro Peccatis | Andreas Scholl | D Minor | 2 | 7A | 58 BPM | ||
Il Giustino, RV 717, Act I, Scene 4: Misero è ben colui che dopo nato (Giustino) | Antonio Vivaldi, Accademia Bizantina, Ottavio Dantone, Delphine Galou | B♭ Major | 0 | 6B | 74 BPM | ||
Télémaque & Calypso, Act III Scene 6: Prince, enfin je ne crains plus rien (Calypso, Télémaque) | Andre Cardinal Destouches, Les Ombres, Sylvain Sartre, Margaux Blanchard, Isabelle Druet, Antonin Rondepierre | F Minor | 2 | 4A | 79 BPM |
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