Jean-Marie Leclair, d’Albaret, Orfeo Orchestra, Gyorgy Vashegyi made "Scylla et Glaucus, Op. 11: Prologue. Sarabande pour les Peuples d’Amathonte" available on October 20, 2023. With Scylla et Glaucus, Op. 11: Prologue. Sarabande pour les Peuples d’Amathonte being less than two minutes long, at 1:09, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Jean-Marie Leclair, d’Albaret, Orfeo Orchestra, Gyorgy Vashegyi, Judith van Wanroij, Cyrille Dubois, Véronique Gens, Purcell Choir's "Leclair: Scylla et Glaucus, Op. 11" album is number 3 out of 103. On top of that, Spain appears to be the country where this track was created. Scylla et Glaucus, Op. 11: Prologue. Sarabande pour les Peuples d’Amathonte is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Scylla et Glaucus, Op. 11: Prologue. Sarabande pour les Peuples d’Amathonte by Jean-Marie Leclair, d’Albaret, Orfeo Orchestra, Gyorgy Vashegyi to be Andante (at a walking pace) because the track has a tempo of 84 BPM, a half-time of 42BPM, and a double-time of 168 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 5/4.
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 6 in F Major: 2. Larghetto | William Boyce, The English Concert, Trevor Pinnock | E Major | 1 | 12B | 107 BPM | ||
Sonata for 2 Violins in C Major, Op. 3 No. 3: II. Adagio | Jean-Marie Leclair, Emmanuele Baldini, Leonardo Bock | E♭ Major | 0 | 5B | 115 BPM | ||
Atys, LWV 53, Prologue: Air pour les Nymphes de Flore | Jean-Baptiste Lully, Les Talens Lyriques, Christophe Rousset | B♭ Major | 2 | 6B | 119 BPM | ||
Polydore: Acte II. Air : C’en est donc fait | le roi n’a plus de fils... | Jean-Baptiste Stuck, Hélène Guilmette, Orfeo Orchestra, Gyorgy Vashegyi | D♭ Minor | 2 | 12A | 113 BPM | ||
Les Indes galantes, RCT 44, Act I: Vous devez bannir de votre âme | Jean-Philippe Rameau, Reinoud Van Mechelen, Véronique Gens, Orfeo Orchestra, Gyorgy Vashegyi | F♯ Major | 2 | 2B | 124 BPM | ||
Sinfonia in E Major: V. Allegro | Johan Helmich Roman, Camerata Nordica, Terje Tonnesen | B♭ Major | 2 | 6B | 113 BPM | ||
Concerto Grosso II in D Minor, Op. 3: I. Ouverture-Largo | Pieter Hellendaal, Combattimento Consort Amsterdam, Jan Willem de Vriend | F Major | 0 | 7B | 36 BPM | ||
Neubrandenburg Concerto No. 1: II. Aria (Transcr. By Harer, after Bach's Aria variata alla maniera italiana BWV 989) | Johann Sebastian Bach, Christoph Harer, La Festa Musicale | F♯ Minor | 0 | 11A | 89 BPM | ||
Issé: Quels sons! quel bruit soudain | Andre Cardinal Destouches, Chantal Santon Jeffery, Emőke Baráth, Orfeo Orchestra, Gyorgy Vashegyi | A♭ Minor | 3 | 1A | 95 BPM | ||
Trio Sonata No. 5 in D Major, Op. 2, Trio Sonata No. 1 in E Minor: I. Adagio | Jean-Joseph Cassanéa De Mondonville, Ensemble Diderot, Johannes Pramsohler | C Major | 1 | 8B | 97 BPM |
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