Jean-Marie Leclair, Emmanuele Baldini, Leonardo Bock made "Sonata for 2 Violins in C Major, Op. 3 No. 3: II. Adagio" available on May 24, 2024. The duration of Sonata for 2 Violins in C Major, Op. 3 No. 3: II. Adagio is about 3 minutes long, at 3:01. Based on our data, "Sonata for 2 Violins in C Major, Op. 3 No. 3: II. Adagio" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. Because this song is the only song in Leclair: Sonata for 2 Violins in C Major, Op. 3 No. 3: II. Adagio and no other songs are present in the album, we classify this track as a single. On top of that, Brazil appears to be the country where this track was created. In terms of popularity, Sonata for 2 Violins in C Major, Op. 3 No. 3: II. Adagio is currently unknown. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Sonata for 2 Violins in C Major, Op. 3 No. 3: II. Adagio by Jean-Marie Leclair, Emmanuele Baldini, Leonardo Bock to be Moderato (at a moderate speed) because the track has a tempo of 115 BPM, a half-time of 58BPM, and a double-time of 230 BPM. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Violin Sonata in G Minor, Op. 5 No. 5 (Transcr. for Viola da Gamba and Continuo by Teodoro Baù): I. Adagio | Arcangelo Corelli, Teodoro Baù, Andrea Buccarella | F♯ Minor | 1 | 11A | 94 BPM | ||
Fantasia: Fantasia | Carl Philipp Emanuel Bach, Marcin Świątkiewicz | F♯ Major | 2 | 2B | 136 BPM | ||
Sonata a 6 in D Minor, G. 24 | David Pohle, Clematis, Brice Sailly, Stéphanie de Failly | C Major | 2 | 8B | 120 BPM | ||
Ayres for the Violin, Book I (Arr. for Violoncello Piccolo): Preludio | Nicola Matteis, Ophélie Gaillard, Pulcinella Orchestra | A♭ Minor | 0 | 1A | 119 BPM | ||
Concerto 1 in D Minor, Op. 7: I. Allegro | Jean-Marie Leclair, Luis Otavio Santos, Les Muffatti, Peter Van Heyghen | D♭ Minor | 2 | 12A | 92 BPM | ||
Hamburg Symphony No. 6 in E Major, Wq. 182: II. Poco andante | Carl Philipp Emanuel Bach, Arte dei Suonatori, Marcin Świątkiewicz | D♭ Major | 3 | 3B | 100 BPM | ||
Sei Introduttioni teatrali, Op. 4, No. 3: II. Andante, sempre Piano | Pietro Locatelli, Gernot Süssmuth, Raphael Hevicke, Thüringer Bach Collegium | E Major | 1 | 12B | 80 BPM | ||
Le Quattro Stagioni - L'estate: Presto | Antonio Vivaldi, Musica Alchemica, Lina Tur Bonet | D♭ Major | 5 | 3B | 148 BPM | ||
Sonata for 2 Violins in B Minor, Op. 12 No. 1: III. Allegro assai | Jean-Marie Leclair, Florian Deuter, Monica Waisman | B♭ Minor | 1 | 3A | 103 BPM | ||
Caprice No. 5 in B-Flat Major | Joseph-Marie-Clement Dall'Abaco, Kristin von der Goltz | G Major | 1 | 9B | 64 BPM |
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