Jean-Marie Leclair, Luis Otavio Santos, Les Muffatti, Peter Van Heyghen made "Concerto 1 in D Minor, Op. 7: I. Allegro" available on October 29, 2012. With this song being around four minutes long, at 3:59, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Jean-Marie Leclair, Luis Otavio Santos, Les Muffatti, Peter Van Heyghen's "Leclair: Violin Concertos, Op. 7" album is number 11 out of 16. In terms of popularity, Concerto 1 in D Minor, Op. 7: I. Allegro is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Concerto 1 in D Minor, Op. 7: I. Allegro by Jean-Marie Leclair, Luis Otavio Santos, Les Muffatti, Peter Van Heyghen to be Andante (at a walking pace) because the track has a tempo of 92 BPM, a half-time of 46BPM, and a double-time of 184 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Overture No. 6 in B-Flat Major: I. Allegro | Francesco Maria Veracini, L'Arte dell' Arco, Federico Guglielmo | F♯ Minor | 3 | 11A | 178 BPM | ||
Concerto for Viola da Gamba and Strings in A major: III. Largo | Johann Pfeiffer, Hille Perl | F Minor | 0 | 4A | 106 BPM | ||
Symphony in D Major, J-C 16: II. Andante sempre piano | Giovanni Battista Sammartini, Aradia Ensemble, Kevin Mallon | B♭ Minor | 1 | 3A | 106 BPM | ||
Sonata No. 1 in D Major, Op. 5: III. Allegro | Arcangelo Corelli, Rémy Baudet, Jaap Ter Linden, Mike Fentross, Pieter-Jan Belder | D Minor | 2 | 7A | 79 BPM | ||
Concerto 4 in F Major, Op. 7: III. Allegro | Jean-Marie Leclair, Luis Otavio Santos, Les Muffatti, Peter Van Heyghen | E Major | 3 | 12B | 100 BPM | ||
Violin Sonata in G Minor: II. Courante | Henry Eccles, Théotime Langlois de Swarte, Thomas Dunford | F♯ Minor | 2 | 11A | 156 BPM | ||
Konzert für Violoncello, Streicher & Basso continuo g-moll: III. Allegro non tanto | Georg Matthias Monn, Balázs Máté/Capella Agostino Steffani/Lajos Rovátkay, Lajos Rovatkay, Capella Agostino Steffani | F♯ Minor | 2 | 11A | 127 BPM | ||
Flute Concerto in C Minor, QV 5:38: III. Vivace | Johann Joachim Quantz, Mary Oleskiewicz, Concerto Armonico Budapest, Miklós Spányi | B♭ Minor | 1 | 3A | 95 BPM | ||
Trio Sonata for 2 Violins and Continuo in G Minor, Op. 5, No. 4, HWV 399: IV. Gigue (Presto) | George Frideric Handel, The English Concert, Trevor Pinnock | D♭ Major | 3 | 3B | 86 BPM | ||
Part I. Overture in E minor: IV. Loure | Georg Philipp Telemann, Freiburger Barockorchester, Petra Mullejans, Gottfried Von Der Goltz | E♭ Minor | 0 | 2A | 90 BPM |
Section: 0.6446406841278076
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