Nicola Matteis, Ophélie Gaillard, Pulcinella Orchestra made "Ayres for the Violin, Book I (Arr. for Violoncello Piccolo): Preludio" available on October 6, 2023. With Ayres for the Violin, Book I (Arr. for Violoncello Piccolo): Preludio being less than two minutes long, at 1:15, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 41 in the song's album "Napoli!". In this album, this song's track order is #2. Furthermore, we believe that the track originated from France. In terms of popularity, Ayres for the Violin, Book I (Arr. for Violoncello Piccolo): Preludio is currently not that popular. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With Ayres for the Violin, Book I (Arr. for Violoncello Piccolo): Preludio by Nicola Matteis, Ophélie Gaillard, Pulcinella Orchestra having a BPM of 119 with a half-time of 60 BPM and a double-time of 238 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 5/4.
This song has a musical key of A♭ Minor. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Telemann: Ouverture-Suite for Recorder and Strings in A Minor, TWV 55:a2: II. Les plaisirs | Georg Philipp Telemann, Sir Neville Marriner, David Munrow, Academy of St. Martin in the Fields | B♭ Major | 3 | 6B | 105 BPM | ||
Sonata in D Minor, Op. 1 No. 1, HWV 359a: IV. Allegro | George Frideric Handel, Bojan Čičić, Steven Devine | A♭ Major | 3 | 4B | 122 BPM | ||
Leclair: Scylla et Glaucus, Op. 11, Prologue: Air gracieux | Jean-Marie Leclair, John Eliot Gardiner, English Baroque Soloists | A♭ Minor | 0 | 1A | 68 BPM | ||
Gnossienne No. 1 | Erik Satie, Ophélie Gaillard, Royal Philharmonic Orchestra, Tim Redmond | D♭ Minor | 0 | 12A | 67 BPM | ||
Sinfonia for strings and basso continuo in C Major, RV. 112: III. Presto | Antonio Vivaldi, Ophélie Gaillard, Pulcinella Orchestra | B Major | 7 | 1B | 117 BPM | ||
Sei Introduttioni teatrali, Op. 4, No. 3: II. Andante, sempre Piano | Pietro Locatelli, Gernot Süssmuth, Raphael Hevicke, Thüringer Bach Collegium | E Major | 1 | 12B | 80 BPM | ||
Bachiana brasileira No. 5: I. cantilena | Heitor Villa-Lobos, Ophélie Gaillard, Esther Lefebvre, Higo Paiva, Fernando Maguna, Sabine Devieilhe, Anne-Charlotte Dupas, Ana Catarina Braga, Simão Alcoforado Barreira, Clémence Issartel | A Minor | 2 | 8A | 84 BPM | ||
Oblivion | Astor Piazzolla, Ophélie Gaillard, Fernando Maguna, Romain Lécuyer, Juanjo Mosalini | C Minor | 2 | 5A | 84 BPM | ||
Trio Sonata in D Minor, Op. 4, No. 1: II. Allegro ma non tropo | Jean-Marie Leclair, Lucile Boulanger, Simon Pierre, Olivier Fortin | B♭ Minor | 3 | 3A | 94 BPM | ||
Flute Sonata in E Minor, H. 551: II. Allegro | Carl Philipp Emanuel Bach, Accademia Ottoboni, Manuel Granatiero | E♭ Minor | 1 | 2A | 120 BPM |
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