Jean-Marie Leclair, Lucile Boulanger, Simon Pierre, Olivier Fortin's 'Trio Sonata in D Minor, Op. 4, No. 1: II. Allegro ma non tropo' came out on February 16, 2024. The duration of Trio Sonata in D Minor, Op. 4, No. 1: II. Allegro ma non tropo is about two minutes long, specifically at 2:50. This song does not appear to have any foul language. Trio Sonata in D Minor, Op. 4, No. 1: II. Allegro ma non tropo's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 24 in the song's album "The Golden Hour". In this album, this song's track order is #2. Furthermore, we believe that the track originated from France. In terms of popularity, Trio Sonata in D Minor, Op. 4, No. 1: II. Allegro ma non tropo is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Trio Sonata in D Minor, Op. 4, No. 1: II. Allegro ma non tropo by Jean-Marie Leclair, Lucile Boulanger, Simon Pierre, Olivier Fortin having a BPM of 94 with a half-time of 47 BPM and a double-time of 188 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
This song is in the music key of B♭ Minor. Which also means that the camelot key for this song is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Theodora, HWV 68, Overture: Trio | George Frideric Handel, Arcangelo, Jonathan Cohen | D Major | 1 | 10B | 89 BPM | ||
Concerto No. 2 in D Major for Cello, Strings, and Continuo, L. 10: IV. Fuga | Leonardo Leo, Elinor Frey, Rosa Barocca, Claude Lapalme | E♭ Minor | 1 | 2A | 103 BPM | ||
Baryton Trio in A Major, Hob. XI:71: III. Finale. Allegro di molto | Joseph Haydn, Valencia Baryton Project | B Major | 2 | 1B | 94 BPM | ||
3e Livre de Sonates à violon seul avec la basse continue, Sonata Quarta: I. Un poco andante | Jean-Baptiste Quentin, Anna Besson, Myriam Rignol, Jean Rondeau | A♭ Major | 2 | 4B | 99 BPM | ||
Concert Royal No. 2 in D: IV. Air contrefugué. Vivement (Version for 2 Harpsichords and Theorbo) | François Couperin, Pierre Gallon, Matthieu Boutineau, Thibaut Roussel | E♭ Major | 4 | 5B | 125 BPM | ||
12 Violin Sonatas, Livre 2, Sonata 12 in E Major: IV. Rondeau | François Francoeur, Lucile Boulanger, Simon Pierre, Olivier Fortin | B♭ Minor | 3 | 3A | 94 BPM | ||
Symphony in G Major, H. 657, Wq. 182/1: III. Presto | Carl Philipp Emanuel Bach, Akademie für Alte Musik Berlin, Georg Kallweit | D♭ Major | 1 | 3B | 140 BPM | ||
Scarlatti, D: Keyboard Sonata in B-Flat Major, Kk. 172 | Domenico Scarlatti, Scott Ross | E Major | 7 | 12B | 124 BPM | ||
6 Sonates pour flûte, op. 2: Sonate pour flûte et basse continue op. 2, no 2 en ré mineur: II. Allemanda (Allegro) | Michel Blavet, Anne Thivierge, Mélisande Corriveau, Eric Milnes | D♭ Major | 2 | 3B | 90 BPM | ||
Hexachordum Apollinis: No. 3 in F Major, Aria & 6 Variations, P. 195 | Johann Pachelbel, Enrico Bissolo | E Minor | 3 | 9A | 74 BPM |
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