"Concert Variations on an English Theme, Op. 71, "Down Among the Dead Men": Introduction. Lento" by Charles Villiers Stanford, Vernon Handley, Ulster Orchestra, Margaret Fingerhut was released on September 1, 1989. The duration of Concert Variations on an English Theme, Op. 71, "Down Among the Dead Men": Introduction. Lento is about two minutes long, specifically at 2:23. This song does not appear to have any foul language. Concert Variations on an English Theme, Op. 71, "Down Among the Dead Men": Introduction. Lento's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 16 in the song's album "Stanford: Piano Concerto No. 2 & Concert Variations on an English Theme". In this album, this song's track order is #4. Furthermore, we believe that the track originated from United Kingdom. Concert Variations on an English Theme, Op. 71, "Down Among the Dead Men": Introduction. Lento is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Concert Variations on an English Theme, Op. 71, "Down Among the Dead Men": Introduction. Lento by Charles Villiers Stanford, Vernon Handley, Ulster Orchestra, Margaret Fingerhut having a BPM of 67 with a half-time of 34 BPM and a double-time of 134 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
A♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Magnificat in E Major | Herbert Murrill, Rochester Cathedral Choir, William Whitehead, Roger Sayer | A Minor | 1 | 8A | 105 BPM | ||
Psalm 37 "Fret Not Thyself Because of the Ungodly" | Henry John Gauntlett, Charles Villiers Stanford, Sydney Watson, York Minster Choir, John Scott Whiteley, Philip Moore | C Minor | 1 | 5A | 131 BPM | ||
O Nata Lux | Anna Lapwood, The Chapel Choir of Pembroke College, Cambridge | C Major | 0 | 8B | 139 BPM | ||
Requiem canticorum: Lux aeterna | James Whitbourn, Westminster Williamson Voices, Jeremy Powell, Ken Cowan, James Jordan | F♯ Minor | 1 | 11A | 133 BPM | ||
Mass in E-Flat Major (Cantus missae), Op.109: III. Credo | Josef Rheinberger, Kammerchor Stuttgart, Ensemble Stuttgart, Frieder Bernius | A♭ Major | 1 | 4B | 118 BPM | ||
Sacred Concerto No. 15, "Priidite, vospoim lyudiye" (Come, let us praise in song, O people): II. Adagio | Dmitry Bortniansky, Ensemble Cherubim, Marika Kuzma | E♭ Minor | 0 | 2A | 94 BPM | ||
The Sweetheart of the Sun | Eric William Barnum, Choral Arts, Robert Bode | D Major | 1 | 10B | 74 BPM | ||
Mother of God | John Tavener, Mikhail Lermontov, The Chapel Choir of Pembroke College, Cambridge, The Pembroke College Girls’ Choir, Anna Lapwood | F Major | 1 | 7B | 86 BPM | ||
Brahms: How Lovely are Thy Dwellings | The Choir Of Waltham Abbey, Stuart Nicholson | E♭ Major | 1 | 5B | 125 BPM | ||
Salmo VI del Oficio de difuntos | Isaac Albéniz, Tansy Castledine, Carlos Fernandez Aransay | F Minor | 1 | 4A | 132 BPM |
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