Ludwig Minkus, Sofia National Opera Orchestra, Boris Spassov made "Don Quixote: Act II: Quiteria and Basilio" available on January 1, 1995. The duration of Don Quixote: Act II: Quiteria and Basilio is about two minutes long, specifically at 2:24. This song does not appear to have any foul language. Don Quixote: Act II: Quiteria and Basilio's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Ludwig Minkus, Sofia National Opera Orchestra, Boris Spassov's "Minkus, L.: Don Quixote [Ballet]" album is number 26 out of 56. In terms of popularity, Don Quixote: Act II: Quiteria and Basilio is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Don Quixote: Act II: Quiteria and Basilio by Ludwig Minkus, Sofia National Opera Orchestra, Boris Spassov to be Moderato (at a moderate speed) because the track has a tempo of 114 BPM, a half-time of 57BPM, and a double-time of 228 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 3/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Vremena Goda (The Seasons), Op. 67: Summer: Waltz of the Cornflowers and the Poppies | Alexander Glazunov, Slovak Radio Symphony Orchestra | D Major | 1 | 10B | 100 BPM | ||
Alice in Wonderland: Act I: Alice and her Sister | Carl Davis, Prague City Philharmonic Orchestra | C Major | 0 | 8B | 78 BPM | ||
Napoli: Act III: Pas de six: Second Lady's solo: Allegretto | Hans Christian Lumbye, Holger Simon Paulli, Niels Gade, Edvard Helsted, Signe Madsen, Lars Ole Schmidt, Aalborg Symphony Orchestra, Peter Ernst Lassen | G Major | 1 | 9B | 85 BPM | ||
Matinées musicales, Op. 24: 2. Nocturne | Benjamin Britten, National Philharmonic Orchestra, Richard Bonynge | A♭ Major | 0 | 4B | 77 BPM | ||
J. Strauss II: Lob der Frauen, Op. 315 | Johann Strauss II, Nikolaus Harnoncourt, Berliner Philharmoniker | D Major | 0 | 10B | 125 BPM | ||
Vienna Sweets Waltz, Op. 307 | Orchestra of the Viennese Volksoper & Alfred Scholz | F Major | 0 | 7B | 182 BPM | ||
Coppelia: Act II - Scene | Léo Delibes, Slovak Radio Symphony Orchestra, Andrew Mogrelia | C Major | 0 | 8B | 70 BPM | ||
Venetianer-Galopp, Op. 74 | Johann Strauss I, Slovak Sinfonietta, Zilina, Ernst Märzendorfer | B Major | 3 | 1B | 159 BPM | ||
Don Quixote: Prologue: Entrance of Don Quixote | Ludwig Minkus, Sofia National Opera Orchestra, Nayden Todorov | C Major | 0 | 8B | 124 BPM | ||
The Red Poppy, Op. 70: V. Valse | Reinhold Glière, Sir Edward Downes, BBC Philharmonic | D Major | 1 | 10B | 163 BPM |
Section: 0.5852062702178955
End: 0.5900897979736328