Johann Strauss II, Nikolaus Harnoncourt, Berliner Philharmoniker's 'J. Strauss II: Lob der Frauen, Op. 315' came out on 1986. With this song being around four minutes long, at 3:52, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 13 in the song's album "Strauss, Johann II : Waltzes, Polkas & Marches (Apex)". In this album, this song's track order is #11. Based on our statistics, J. Strauss II: Lob der Frauen, Op. 315's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With J. Strauss II: Lob der Frauen, Op. 315 by Johann Strauss II, Nikolaus Harnoncourt, Berliner Philharmoniker having a BPM of 125 with a half-time of 62 BPM and a double-time of 250 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Tannhauser, Introduction to Act III: Tannhauser's Pilgrimage | Richard Wagner, Slovak Philharmonic, Michael Halasz | E♭ Major | 0 | 5B | 131 BPM | ||
Strauss, R: Ariadne auf Naxos, Op. 60, Prologue: Overture | Richard Strauss, Rudolf Kempe, Staatskapelle Dresden | F Major | 2 | 7B | 82 BPM | ||
Mahler: Symphony No. 2 in C Minor "Resurrection": V. (a) Im Tempo des Scherzos. Wild herausfahrend | Gustav Mahler, Sir Simon Rattle, Berliner Philharmoniker | D♭ Major | 0 | 3B | 61 BPM | ||
Rossini: Guillaume Tell, Act 3 Scene 2: Danse (Pas de trois. Allegro) | Gioachino Rossini, Royal Philharmonic Orchestra/Lamberto Gardelli, Lamberto Gardelli, Royal Philharmonic Orchestra | A Minor | 3 | 8A | 109 BPM | ||
Lanner : Jäger Lust Op.82 | Joseph Lanner, Nikolaus Harnoncourt, Wiener Philharmoniker | F Major | 2 | 7B | 137 BPM | ||
Ruslan and Ludmila: Overture | Mikhail Glinka, The USSR Bolshoy Theatre Orchestra, Yevgeny Svetlanov | F Major | 3 | 7B | 81 BPM | ||
Neva Polka, Op. 288 | Saint Petersburg Radio and TV Symphony Orchestra, Stanislav Gorkovenko | E♭ Major | 4 | 5B | 80 BPM | ||
Die Fledermaus / Act 2: Nr.6 Introduktion: "Ein Souper heut uns winkt" | Johann Strauss II, Bavarian State Orchestra, Carlos Kleiber, Chor der Bayerischen Staatsoper München, Wolfgang Baumgart | E Major | 4 | 12B | 112 BPM | ||
Mahler: Symphony No. 9 in D Major: III. Rondo-Burleske. Allegro assai. Sehr trotzig | Gustav Mahler, Berliner Philharmoniker, Sir Simon Rattle | A♭ Major | 1 | 4B | 147 BPM | ||
Variations On An Original Theme, Op.36 "Enigma": 6. Ysobel (Andantino) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | C Major | 0 | 8B | 65 BPM |
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