"Strauss, R: Ariadne auf Naxos, Op. 60, Prologue: Overture" by Richard Strauss, Rudolf Kempe, Staatskapelle Dresden was released on 1992. The duration of Strauss, R: Ariadne auf Naxos, Op. 60, Prologue: Overture is about two minutes long, specifically at 2:27. This song does not appear to have any foul language. Strauss, R: Ariadne auf Naxos, Op. 60, Prologue: Overture's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 27 in the song's album "R. Strauss: Ariadne auf Naxos". In this album, this song's track order is #1. Furthermore, we believe that the track originated from United Kingdom. Strauss, R: Ariadne auf Naxos, Op. 60, Prologue: Overture is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Strauss, R: Ariadne auf Naxos, Op. 60, Prologue: Overture by Richard Strauss, Rudolf Kempe, Staatskapelle Dresden having a BPM of 82 with a half-time of 41 BPM and a double-time of 164 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Eugene Onegin, Op. 24, TH 5 / Act III: Scene and Aria. "I zdyes mnye skuchno!" - "Knyaginya Gremina! Smotrite!" | Pyotr Ilyich Tchaikovsky, Mirella Freni, Thomas Allen, Paata Burchuladze, Staatskapelle Dresden, James Levine, MDR Leipzig Radio Chorus | E Minor | 2 | 9A | 78 BPM | ||
Die Fledermaus / Act I: Nr. 1 Introduktion: "Täubchen, das entflattert ist" | Johann Strauss II, Lucia Popp, René Kollo, Bavarian State Orchestra, Carlos Kleiber | G Major | 1 | 9B | 50 BPM | ||
Tristan und Isolde / Act 3: "Ich bin's, ich bin's" | Richard Wagner, Margaret Price, Staatskapelle Dresden, Carlos Kleiber | F♯ Minor | 1 | 11A | 93 BPM | ||
Méditation de Thaïs | Jules Massenet, Peter Mirring, Dresden State Opera Chorus, Members, Staatskapelle Dresden, Silvio Varviso | E Minor | 0 | 9A | 96 BPM | ||
Polovtsian Dances From Prince Igor: Dance Of The Polovtsian Maidens | Alexander Borodin, Berliner Philharmoniker, Herbert von Karajan | F Minor | 1 | 4A | 62 BPM | ||
3 Romances, Op. 22: No. 1, Andante molto (Arr. Knoth for Cello and Piano) | Clara Schumann, Sophie Kauer, Kunal Lahiry | D♭ Major | 0 | 3B | 68 BPM | ||
Variations On An Original Theme, Op.36 "Enigma": 8. W.N. (Allegretto) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | G Major | 0 | 9B | 84 BPM | ||
Romeo and Juliet, Op. 64 - Act 1: Romeo | Sergei Prokofiev, Cleveland Orchestra, Lorin Maazel | C Major | 0 | 8B | 132 BPM | ||
Strauss II, J: Leichtes Blut, Op. 319 | Johann Strauss II, Rudolf Kempe, Wiener Philharmoniker | E♭ Major | 2 | 5B | 106 BPM | ||
Symphony No. 4 in D Minor, Op. 120 (1851 Version): II. Romanze. Ziemlich langsam | Robert Schumann, Leonard Bernstein, New York Philharmonic | D Major | 1 | 10B | 82 BPM |
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