"Turandot / Act 3: "Tu che di gel sei cinta"" by Giacomo Puccini, Renata Tebaldi, Mario del Monaco, Coro dell'Accademia Nazionale Di Santa Cecilia, Orchestra dell'Accademia Nazionale di Santa Cecilia, Alberto Erede was released on January 1, 1955. The duration of Turandot / Act 3: "Tu che di gel sei cinta" is about two minutes long, specifically at 2:55. This song does not appear to have any foul language. Turandot / Act 3: "Tu che di gel sei cinta"'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 28 in the song's album "Puccini: Turandot". In this album, this song's track order is #8. Furthermore, we believe that the track originated from United Kingdom. Turandot / Act 3: "Tu che di gel sei cinta" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Turandot / Act 3: "Tu che di gel sei cinta" by Giacomo Puccini, Renata Tebaldi, Mario del Monaco, Coro dell'Accademia Nazionale Di Santa Cecilia, Orchestra dell'Accademia Nazionale di Santa Cecilia, Alberto Erede having a BPM of 89 with a half-time of 44 BPM and a double-time of 178 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of E♭ Minor. Which also means that the camelot key for this song is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Tosca / Act 1: "Ed io venivo a lui tutta dogliosa" | Giacomo Puccini, Katia Ricciarelli, Ruggero Raimondi, Berliner Philharmoniker, Herbert von Karajan | B♭ Major | 1 | 6B | 75 BPM | ||
Les Contes d'Hoffmann / Act 1: "Il était une fois à la cour d'Eisenach" (La légende de Kleinzach) | Jacques Offenbach, Plácido Domingo, Robin Leggate, Choeurs de Radio France, Orchestre National De France, Seiji Ozawa | A Minor | 2 | 8A | 94 BPM | ||
La Bohème / Act 1: "Che gelida manina" | Giacomo Puccini, Carlo Bergonzi, Orchestra dell'Accademia Nazionale di Santa Cecilia, Tullio Serafin | A Major | 2 | 11B | 76 BPM | ||
Verdi: Aida, Act 1: "Quale insolita gioia nel tuo sguardo!" (Amneris, Radamès) | Giuseppe Verdi, Riccardo Muti, New Philharmonia Orchestra | F Major | 2 | 7B | 64 BPM | ||
Cilea: Adriana Lecouvreur, Act 4: "Poveri fiori" (Adriana Lecouvreur) | Francesco Cilea, Maria Callas, Tullio Serafin, Philharmonia Orchestra | D Minor | 1 | 7A | 58 BPM | ||
L'elisir d'amore / Act II: "Ei corregge ogni difetto" | Gaetano Donizetti, Kathleen Battle, Luciano Pavarotti, Enzo Dara, Leo Nucci, Metropolitan Opera Chorus, Metropolitan Opera Orchestra, James Levine | B♭ Major | 2 | 6B | 80 BPM | ||
La bohème (2002 Digital Remaster), Act One: O soave fanciulla, o dolce viso (Rodolfo/Marcello/Mimi) | Sir Thomas Beecham, Robert Merrill, Jussi Björling, RCA Victor Orchestra, Victoria de los Ángeles | G Major | 1 | 9B | 77 BPM | ||
The Merry Widow (Die lustige Witwe) - Sung In Italian - Act 2: Vilja-Lied | Franz Lehár, Renata Tebaldi, With Orchestral Accompaniment | G Major | 1 | 9B | 88 BPM | ||
La Gioconda / Act 1: "Voce di donna o d'angelo" | Amilcare Ponchielli, Olga Borodina, Orchestra of the Welsh National Opera, Carlo Rizzi | E♭ Major | 1 | 5B | 78 BPM | ||
Rigoletto, Act II: Figlia!...Mio padre! | Giuseppe Verdi, Ettore Bastianini, Renata Scotto, Gianandrea Gavazzeni, Orchestra del Maggio Musicale Fiorentino | D♭ Minor | 1 | 12A | 128 BPM |
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