"Cilea: Adriana Lecouvreur, Act 4: "Poveri fiori" (Adriana Lecouvreur)" by Francesco Cilea, Maria Callas, Tullio Serafin, Philharmonia Orchestra was released on 1955. The duration of Cilea: Adriana Lecouvreur, Act 4: "Poveri fiori" (Adriana Lecouvreur) is about 3 minutes long, at 3:12. Based on our data, "Cilea: Adriana Lecouvreur, Act 4: "Poveri fiori" (Adriana Lecouvreur)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 2 out of 9 in Callas sings Operatic Arias - Callas Remastered by Maria Callas. Cilea: Adriana Lecouvreur, Act 4: "Poveri fiori" (Adriana Lecouvreur) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Cilea: Adriana Lecouvreur, Act 4: "Poveri fiori" (Adriana Lecouvreur) by Francesco Cilea, Maria Callas, Tullio Serafin, Philharmonia Orchestra is Lento (slowly), since this song has a tempo of 58 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 5/4.
D Minor is the music key of this track. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Donizetti: Lucrezia Borgia, Prologo: "Tranquillo ei posa" - "Com'è bello" (Lucrezia Borgia) | Gaetano Donizetti, Maria Callas, Nicola Rescigno, Orchestre De La Société Des Concerts Du Conservatoire | B♭ Major | 1 | 6B | 172 BPM | ||
Madama Butterfly (1986 - Remaster), Act I: Vogliatemi bene, un bene piccolino (Pinkerton/Butterfly) | Giacomo Puccini, Renata Scotto, Carlo Bergonzi, Orchestra Del Teatro Dell'Opera Di Roma, Sir John Barbirolli | F Major | 2 | 7B | 87 BPM | ||
Delibes: Lakmé, Act II: "Par les dieux inspirés" - Air des clochettes. "Où va la jeune hindoue" (Lakmé, Nilakantha, Chorus) | Léo Delibes, Natalie Dessay, Choeur Du Capitole De Toulouse, José van Dam, Michel Plasson, Orchestre Du Capitole De Toulouse | A Major | 1 | 11B | 124 BPM | ||
Tannhäuser - Paris version / Act III: O du, mein holder Abendstern | Richard Wagner, Andreas Schmidt, Philharmonia Orchestra, Giuseppe Sinopoli | G Major | 0 | 9B | 71 BPM | ||
Bellini: Il Pirata, Act 1: "Sventurata, anch'io deliro" (Imogene, Adele, Chorus) [Live] | Vincenzo Bellini, Maria Callas, Regina Sarfaty, Nicola Rescigno, Orchestra of the American Opera Society | G Major | 4 | 9B | 113 BPM | ||
In questa tomba oscura, WoO.133 | Ludwig van Beethoven, Luciano Pavarotti, Philharmonia Orchestra, Piero Gamba | D♭ Major | 1 | 3B | 88 BPM | ||
La Wally / Act 1: "Ebben? Ne andrò lontana" | Alfredo Catalani, Pumeza Matshikiza, Aarhus Symfoniorkester, Tobias Ringborg | E Major | 2 | 12B | 90 BPM | ||
Andrea Chénier / Act 4: "Come un bel dì di maggio" | Umberto Giordano, Luciano Pavarotti, National Philharmonic Orchestra, Riccardo Chailly | F♯ Major | 2 | 2B | 85 BPM | ||
Rossini: Il barbiere di Siviglia, Act 1: "Una voce poco fa" (Rosina) [Live, Hamburg, 1959] | Gioacchino Rossini, Maria Callas, Nicola Rescigno, North German Radio Philharmonic Orchestra | E♭ Major | 2 | 5B | 85 BPM | ||
Tannhäuser, WWV 70 / Act 3: "Allmächt'ge Jungfrau, hör mein Flehen!" | Richard Wagner, Lise Davidsen, Philharmonia Orchestra, Esa-Pekka Salonen | F♯ Major | 1 | 2B | 177 BPM |
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