Vincenzo Bellini, Maria Callas, Regina Sarfaty, Nicola Rescigno, Orchestra of the American Opera Society's 'Bellini: Il Pirata, Act 1: "Sventurata, anch'io deliro" (Imogene, Adele, Chorus) [Live]' came out on September 15, 2017. The duration of Bellini: Il Pirata, Act 1: "Sventurata, anch'io deliro" (Imogene, Adele, Chorus) [Live] is about two minutes long, specifically at 2:29. This song does not appear to have any foul language. Bellini: Il Pirata, Act 1: "Sventurata, anch'io deliro" (Imogene, Adele, Chorus) [Live]'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 12 out of 47 in Bellini: Il pirata (1959 - New York) - Callas Live Remastered by Vincenzo Bellini, Maria Callas. In terms of popularity, Bellini: Il Pirata, Act 1: "Sventurata, anch'io deliro" (Imogene, Adele, Chorus) [Live] is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Bellini: Il Pirata, Act 1: "Sventurata, anch'io deliro" (Imogene, Adele, Chorus) [Live] by Vincenzo Bellini, Maria Callas, Regina Sarfaty, Nicola Rescigno, Orchestra of the American Opera Society is Moderato (at a moderate speed), since this song has a tempo of 113 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
The music key of this track is G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
"Io son l'umile ancella" | Francesco Cilea, Montserrat Caballé, Gianfranco Masini | A♭ Major | 1 | 4B | 107 BPM | ||
Fedora / Act 2: Intermezzo | Umberto Giordano, Berliner Philharmoniker, Herbert von Karajan | E Major | 2 | 12B | 123 BPM | ||
Die lustige Witwe (The Merry Widow) (2000 - Remaster): XIV. Lippen schweigen (Danilo/Hanna) | Franz Lehár, Eberhard Waechter/Elisabeth Schwarzkopf/Philharmonia Orchestra/Lovro von Matacic, Eberhard Waechter, Lovro Von Matacic, Philharmonia Orchestra | G Major | 1 | 9B | 85 BPM | ||
Carmen, Act I: No.10 Séguidille et Duo : Près des ramparts de Séville (Carmen/Don José) | Georges Bizet, Angela Gheorghiu, Michel Plasson, Wolff, Orchestre National Du Capitole De Toulouse | G Major | 1 | 9B | 90 BPM | ||
Eugene Onegin, Op. 24, TH 5 / Act II: "Kuda, kuda, kuda vi udalilis" | Pyotr Ilyich Tchaikovsky, Neil Shicoff, Orchestre de Paris, Semyon Bychkov | E Minor | 1 | 9A | 84 BPM | ||
O rendetemi la speme ... Qui la voce sua soave mi chiamava ... Tornò il riso sul suo aspetto | Carlo Pepoli, Vincenzo Bellini, Riccardo Muti, Philharmonia Orchestra | E♭ Major | 1 | 5B | 81 BPM | ||
Il Pirata, Act I: Sinfonia | Vincenzo Bellini, Felice Romani, Fabricio Maria Carminati, Fabrizio Maria Carminati, Orchestra del Teatro Massimo Bellini di Catania | F Major | 3 | 7B | 171 BPM | ||
Rossini: La cenerentola, Act 2: "Nacqui all'affanno e al pianto.....Non più mesta" (Angelina) | Gioachino Rossini, Maria Callas, Nicola Rescigno, Orchestre De La Société Des Concerts Du Conservatoire | E Major | 1 | 12B | 122 BPM | ||
Lakmé / Act 1: "Viens, Mallika, ... Dôme épais" (Flower Duet) | Léo Delibes, Dame Joan Sutherland, Jane Berbié, Orchestre National de l'Opéra de Monte-Carlo, Richard Bonynge | B Major | 1 | 1B | 84 BPM | ||
La Sonnambula / Act 1: D'un pensiero e d'un accento rea non son | Vincenzo Bellini, Cecilia Bartoli, Juan Diego Flórez, Liliana Nikiteanu, Peter Kalman, Chor des Opernhauses Zürich, Orchestra La Scintilla, Alessandro De Marchi | E♭ Major | 2 | 5B | 75 BPM |
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