"Pagliacci, Atto Secondo, La Commedia/The Play/Die Komödie/La comédie: Arlecchin!....Colombina! (Colombina/Arlecchino/Taddeo/Canio [Pagliaccio])" by Ruggero Leoncavallo, José Carreras, Philharmonia Orchestra, Riccardo Muti was released on 1979. The duration of Pagliacci, Atto Secondo, La Commedia/The Play/Die Komödie/La comédie: Arlecchin!....Colombina! (Colombina/Arlecchino/Taddeo/Canio [Pagliaccio]) is about two minutes long, specifically at 2:29. This song does not appear to have any foul language. Pagliacci, Atto Secondo, La Commedia/The Play/Die Komödie/La comédie: Arlecchin!....Colombina! (Colombina/Arlecchino/Taddeo/Canio [Pagliaccio])'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Riccardo Muti, Philharmonia Orchestra's "Mascagni: Cavalleria Rusticana/Leoncavallo: I Pagliacci" album is number 21 out of 44. Based on our statistics, Pagliacci, Atto Secondo, La Commedia/The Play/Die Komödie/La comédie: Arlecchin!....Colombina! (Colombina/Arlecchino/Taddeo/Canio [Pagliaccio])'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Pagliacci, Atto Secondo, La Commedia/The Play/Die Komödie/La comédie: Arlecchin!....Colombina! (Colombina/Arlecchino/Taddeo/Canio [Pagliaccio]) by Ruggero Leoncavallo, José Carreras, Philharmonia Orchestra, Riccardo Muti to be Allegro (fast, quick, and bright) because the track has a tempo of 138 BPM, a half-time of 69BPM, and a double-time of 276 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Gianni Schicchi: Oh! Mio Babbino Caro | Renata Tebaldi, Lamberto Gardelli, Orchestra del Maggio Musicale Fiorentino | A♭ Major | 3 | 4B | 88 BPM | ||
Caro mio ben | Giuseppe Giordani, Ramón Vargas | G Major | 2 | 9B | 91 BPM | ||
Habanera (From “Carmen”, WD. 31) | Katherine Jenkins, The Arcadian Ensemble | D Major | 1 | 10B | 133 BPM | ||
Rienzi: Overture | Richard Wagner, Wiener Philharmoniker, Sir Georg Solti | D Major | 3 | 10B | 99 BPM | ||
I Puritani / Act 2: Qui la voce sua soave - Live At Metropolitan Opera House, New York / 2011 | Vincenzo Bellini, Anna Netrebko, Metropolitan Opera Orchestra, Patrick Summers | E♭ Major | 0 | 5B | 79 BPM | ||
Andante spianato et Grande polonaise brillante, Op. 22: Grande Polonaise in E-flat Major. Molto allegro | Frédéric Chopin, Janusz Olejniczak, Tadeusz Strugala, The Warsaw Philharmonic National Orchestra of Poland | E♭ Major | 2 | 5B | 109 BPM | ||
Pagliacci / Prologue: Prelude | Ruggero Leoncavallo, Orchestra Del Teatro Alla Scala, Milano, Herbert von Karajan | G Major | 1 | 9B | 138 BPM | ||
Fedora: Amor ti vieta | Umberto Giordano, Jonathan Tetelman, Orquesta Filarmónica de Gran Canaria, Karel Mark Chichon | A Major | 1 | 11B | 83 BPM | ||
Vier letzte Lieder, TrV 296: 2. September | Richard Strauss, Jessye Norman, Gewandhausorchester, Kurt Masur | D Major | 1 | 10B | 153 BPM | ||
I pagliacci, Mario Del Monaco: Act II- " Ridi Pagliaccio" | Mario del Monaco | E Minor | 3 | 9A | 70 BPM |
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