Katherine Jenkins, The Arcadian Ensemble's ' "Habanera (From “Carmen”, WD. 31)" was released on its scheduled release date, November 14, 2014. The duration of This song is about two minutes long, specifically at 2:47. This song does not appear to have any foul language. Habanera (From “Carmen”, WD. 31)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Katherine Jenkins's "Katherine Jenkins" album is number 25 out of 29. Based on our statistics, Habanera (From “Carmen”, WD. 31)'s popularity is below average in popularity right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Habanera (From “Carmen”, WD. 31) by Katherine Jenkins, The Arcadian Ensemble to be Allegro (fast, quick, and bright) because the track has a tempo of 133 BPM, a half-time of 66BPM, and a double-time of 266 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Swan Lake, Op. 20: No. 13 Danses Des Cygnes: IV. Allegro Moderato | Pyotr Ilyich Tchaikovsky, Orchestra of the Royal Opera House, Covent Garden, Mark Ermler | F♯ Minor | 0 | 11A | 114 BPM | ||
Carmen, Opera Suite No. 2: II. Habanera (Act 1) | London Festival Orchestra Alfred Scholz | D Major | 0 | 10B | 123 BPM | ||
Wedding Dance | I Salonisti | E♭ Major | 2 | 5B | 172 BPM | ||
Abdelazer: Rondeau | Henry Purcell, Academy of St. Martin in the Fields, Sir Neville Marriner | B Minor | 1 | 10A | 66 BPM | ||
The Barber of Seville: "Largo al factotum" - Instrumental | Gioachino Rossini, Andre Kostelanetz & His Orchestra | C Major | 5 | 8B | 115 BPM | ||
Polovtsian Dances From "Prince Igor" | Alexander Borodin, Torgny Sporsen, Gothenburg Symphony Orchestra, Neeme Järvi, Gothenburg Symphony Choir | D Major | 1 | 10B | 103 BPM | ||
La Vie En Rose | David, Louigy, Piaf, Katherine Jenkins | E♭ Minor | 2 | 2A | 97 BPM | ||
La valse d'Amélie | Yann Tiersen | A Minor | 6 | 8A | 192 BPM | ||
Nabucco: Va, pensiero, sull'ali dorate (Chorus of the Hebrew Slaves) | Renato Cellini, Robert Shaw | A♭ Major | 1 | 4B | 168 BPM | ||
Handel: Rinaldo, HWV 7, Act 2: "Lascia ch'io pianga" (Almirena) | George Frideric Handel, Joyce DiDonato, Maxim Emelyanychev, Il Pomo D'oro | B Major | 4 | 1B | 129 BPM |