"Die tote Stadt, Op. 12, Act I Scene 5: Glück, das mir verblieb (Live)" by Erich Wolfgang Korngold, Klaus Florian Vogt, Camilla Nylund, Antti Nieminen, Finnish National Opera Orchestra, Mikko Franck was released on March 25, 2022. With this song being about 5 minutes long, at 5:23, "Die tote Stadt, Op. 12, Act I Scene 5: Glück, das mir verblieb (Live)" by Erich Wolfgang Korngold, Klaus Florian Vogt, Camilla Nylund, Antti Nieminen, Finnish National Opera Orchestra, Mikko Franck is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Erich Wolfgang Korngold, Klaus Florian Vogt, Camilla Nylund, Markus Eiche, Sari Nordqvist, Kaisa Ranta, Finnish National Opera Orchestra, Mikko Franck's "Korngold: Die tote Stadt, Op. 12 (Live)" album is number 6 out of 25. On top of that, United Kingdom appears to be the country where this track was created. Die tote Stadt, Op. 12, Act I Scene 5: Glück, das mir verblieb (Live) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Die tote Stadt, Op. 12, Act I Scene 5: Glück, das mir verblieb (Live) by Erich Wolfgang Korngold, Klaus Florian Vogt, Camilla Nylund, Antti Nieminen, Finnish National Opera Orchestra, Mikko Franck to be Andante (at a walking pace) because the track has a tempo of 79 BPM, a half-time of 40BPM, and a double-time of 158 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Spanish Galleas / Galley Slaves / The "Albatross" | Erich Wolfgang Korngold | F Minor | 2 | 4A | 112 BPM | ||
Festive Overture, Op.96 | Dmitri Shostakovich, Maxim Shostakovich, London Symphony Orchestra | A Major | 3 | 11B | 83 BPM | ||
Fountains Of Rome, P. 106: 2. The Triton Fountain In The Morning | Ottorino Respighi, Berliner Philharmoniker, Herbert von Karajan | C Major | 1 | 8B | 74 BPM | ||
Carmen Suite No. 1 (Arr. E. Guiraud): V. Les dragons d'Alcala | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | F Minor | 0 | 4A | 60 BPM | ||
Carmen Suite No. 1: III. Intermezzo, Interlude before Act III | Georges Bizet, Marc Soustrot, Aarhus Symphony Orchestra | D Major | 1 | 10B | 134 BPM | ||
Also sprach Zarathustra, Op. 30, TrV 176: Von der großen Sehnsucht | Richard Strauss, Berliner Philharmoniker, Herbert von Karajan | G Major | 1 | 9B | 105 BPM | ||
Divertimento: V: Turkey Trot: Allegretto, ben misurato | Leonard Bernstein, Bournemouth Symphony Orchestra, Marin Alsop | D♭ Major | 1 | 3B | 106 BPM | ||
Elgar: Cello Concerto in E Minor, Op. 85: II. Lento - Allegro molto | Edward Elgar, Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli | G Major | 2 | 9B | 87 BPM | ||
Violin Concerto in D Major, Op. 35: I. Moderato nobile | Erich Wolfgang Korngold, Jascha Heifetz, Alfred Wallenstein | G Major | 3 | 9B | 111 BPM | ||
Suite, Op. 23: 4. Lied | Erich Wolfgang Korngold, Kjell Lysell, Ulf Forsberg, Mats Lidström, Bengt Forsberg | F♯ Major | 0 | 2B | 92 BPM |
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