"Cantata No. 156, "Ich Steh Mit Einem Fuss Im Grabe", BWV 156: Sinfonia" by The Bach Ensemble, Helmuth Rilling was released on August 31, 2006. The duration of Cantata No. 156, "Ich Steh Mit Einem Fuss Im Grabe", BWV 156: Sinfonia is about two minutes long, specifically at 2:52. This song does not appear to have any foul language. Cantata No. 156, "Ich Steh Mit Einem Fuss Im Grabe", BWV 156: Sinfonia's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Various Artists's "La Magie Des Plus Beaux Adagios, Vol. 2" album is number 2 out of 23. Cantata No. 156, "Ich Steh Mit Einem Fuss Im Grabe", BWV 156: Sinfonia is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Cantata No. 156, "Ich Steh Mit Einem Fuss Im Grabe", BWV 156: Sinfonia by The Bach Ensemble, Helmuth Rilling to be Andante (at a walking pace) because the track has a tempo of 81 BPM, a half-time of 40BPM, and a double-time of 162 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song has a musical key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Christus hat einmal für die Sünde gelitten, TWV 1:140: III. Es klagte das Gesetz | Georg Philipp Telemann, Julia Grutzka, Gutenberg Soloists, Neumeyer Consort, Felix Koch | F♯ Major | 1 | 2B | 95 BPM | ||
Es woll uns Gott genädig sein | Łukasz Bobka | A Minor | 0 | 8A | 87 BPM | ||
Trio Sonata in C Major, BuxWV 256: IV. Allegro | Dietrich Buxtehude, Ensemble Mélero | E♭ Minor | 3 | 2A | 106 BPM | ||
Magnificat in D Major, BWV 243: VII. Fecit potentiam | Johann Sebastian Bach, Philippe Pierlot, Ricercar Consort, Anna Zander, Carlos Mena, Hans-Jörg Mammel, Maria Keohane, Stephan MacLeod | D Minor | 7 | 7A | 109 BPM | ||
Kyrie de quarti toni | Francesc Valls i Galan, Henry Moderlak, Joan Boronat Sanz, Carla Brunet | D♭ Major | 1 | 3B | 73 BPM | ||
March in D Major, BWV Anh. 122 | Carl Philipp Emanuel Bach, Mahan Esfahani | F♯ Major | 0 | 2B | 151 BPM | ||
Miserere in G Minor, HocJ C1.23: I. Miserere, 1. Miserere mei Deus | Niccolò Jommelli, Il Gardellino, Peter Van Heyghen | B Minor | 0 | 10A | 140 BPM | ||
Missa pro Defunctis in E-Flat Major, HocJ A1.3: VI. Benedictus, 2. Hosanna in excelsis | Niccolò Jommelli, Il Gardellino, Peter Van Heyghen | F♯ Minor | 1 | 11A | 77 BPM | ||
Capriccio in G Minor, FbWV 505, Pt. 3 | Johann Jakob Froberger, Gustav Auzinger | D Major | 1 | 10B | 176 BPM | ||
Te Deum "de Lyon": IV. Te martyrum candidatus laudat exercitus | Henri Desmarets, Ensemble les Surprises, Louis-Noël Bestion de Camboulas | B♭ Major | 4 | 6B | 106 BPM |
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