Carl Philipp Emanuel Bach, Mahan Esfahani made "March in D Major, BWV Anh. 122" available on May 5, 2023. With March in D Major, BWV Anh. 122 being less than two minutes long, at 1:04, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 13 out of 40 in Bach: Anna Magdalena Notebooks, 1722 and 1725 by Mahan Esfahani, Johann Sebastian Bach, Carolyn Sampson, Christian Petzold, François Couperin, Carl Philipp Emanuel Bach, Georg Böhm, Gottfried Heinrich Stölzel, Johann Adolf Hasse, Johann Christian Bach. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, March in D Major, BWV Anh. 122's popularity is not that popular right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
The tempo marking of March in D Major, BWV Anh. 122 by Carl Philipp Emanuel Bach, Mahan Esfahani is Allegro (fast, quick, and bright), since this song has a tempo of 151 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with running. The time signature for this track is 3/4.
F♯ Major is the music key of this track. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Organ Sonata in C Major | Pier Giuseppe Sandoni, Hakan Martinsson | C Major | 0 | 8B | 91 BPM | ||
Bach, CPE: Magnificat in D Minor, Wq. 215: II. Quia respexit | Carl Philipp Emanuel Bach, Geraint Jones, Jennifer Vyvyan, Geraint Jones Orchestra | D Major | 4 | 10B | 121 BPM | ||
Scarlatti, D: Keyboard Sonata in G Minor, Kk. 476 | Domenico Scarlatti, Scott Ross | F♯ Major | 7 | 2B | 147 BPM | ||
Mischievous Young Princess Lost in the Forest | Valeriy Blagovidov | D♭ Major | 0 | 3B | 100 BPM | ||
Madrigals Libro, No.6: Moro, Lasso, Al Mio Duolo | Carlo Gesualdo, Musica Sequenza, BURAK | F♯ Minor | 1 | 11A | 75 BPM | ||
Canzon Francese del Principe | Carlo Gesualdo, Musica Sequenza, BURAK | F♯ Minor | 1 | 11A | 75 BPM | ||
Marais: Pièces en trio: Suite No. 1 en do majeur: II. Première sarabande | Marin Marais, Ensemble Amalia | B Major | 1 | 1B | 169 BPM | ||
Sonata Prima in F Major: IV. Giga Presto | Unico Wilhelm van Wassenaer, Teun & Teun | F♯ Minor | 1 | 11A | 126 BPM | ||
Suite in A Minor, RCT 1: VI. Sarabande | Jean-Philippe Rameau, Michel Kiener | F♯ Minor | 4 | 11A | 120 BPM | ||
Suite in E Minor, RCT 2: I. Allemande | Jean-Philippe Rameau, Michel Kiener | F♯ Minor | 4 | 11A | 120 BPM |
Section: 0.621600866317749
End: 0.6286847591400146