"Marimba Concerto: II. Broad and Deliberate" by Kevin Puts, Ji Su Jung, Baltimore Symphony Orchestra, Marin Alsop was released on February 24, 2023. Since Marimba Concerto: II. Broad and Deliberate is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Kevin Puts, Katherine Needleman, Ji Su Jung, Baltimore Symphony Orchestra, Marin Alsop's "Kevin Puts: Marimba Concerto, The City & Oboe Concerto No. 2 "Moonlight"" album is number 2 out of 7. On top of that, Hong Kong appears to be the country where this track was created. In terms of popularity, Marimba Concerto: II. Broad and Deliberate is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Marimba Concerto: II. Broad and Deliberate by Kevin Puts, Ji Su Jung, Baltimore Symphony Orchestra, Marin Alsop to be Andante (at a walking pace) because the track has a tempo of 91 BPM, a half-time of 46BPM, and a double-time of 182 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lasciatemi morire! | Claudio Monteverdi, Holly Bewlay, Sarah Rhee | D Minor | 1 | 7A | 83 BPM | ||
Contact: IV. Convivium | Kevin Puts, Time For Three, Philadelphia Orchestra, Xian Zhang | F♯ Major | 5 | 2B | 105 BPM | ||
Ethiopia's Shadow in America: II. His Resignation and Faith | Florence Beatrice Price, ORF Vienna Radio Symphony Orchestra, John Jeter | A Major | 0 | 11B | 64 BPM | ||
Parysatis: Le Rossignol et la Rose | Camille Saint-Saëns, Erin Morley, Gerald Martin Moore | G Major | 0 | 9B | 75 BPM | ||
Mass No. 6 in E-Flat Major, D. 950: Credo: Credo in unum Deum | Franz Schubert, Birte Kulawik, Dorothea Craxton, Cornelia Rosenthal, Raimund Minarschik, Rolf Ehlers, Klaus Schredl, Immortal Bach Ensemble, Leipzig Chamber Orchestra, Morten Schuldt-Jensen | E♭ Major | 0 | 5B | 0 BPM | ||
Vaughan Williams: 5 Variants of "Dives and Lazarus": Variant III | Ralph Vaughan Williams, Vernon Handley, London Philharmonic Orchestra | G Major | 1 | 9B | 136 BPM | ||
Akt I: Durch Mitleid wissend | Richard Wagner, Stefan Cerny, Philippe Jordan | A♭ Major | 1 | 4B | 76 BPM | ||
Petrushka, K12 (1947 Version): IVe. Dance of the Coachmen and the Grooms | Igor Stravinsky, Orchestre de Paris, Klaus Mäkelä | B Major | 1 | 1B | 173 BPM | ||
The Incredible Flutist Suite: IX. Spanish Waltz | Walter Piston, National Orchestral Institute Philharmonic, Joann Falletta | B Major | 5 | 1B | 77 BPM | ||
Ólafur Liljurós: [Crotchet = c. 96] | Jórunn Viðar, Iceland Symphony Orchestra, Rumon Gamba | C Major | 0 | 8B | 136 BPM |
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