"Historia der Auferstehung Jesu Christi, SWV 50: IX. Und abermals sprach er zu ihnen" by Heinrich Schütz, Georg Poplutz, Felix Rumpf, Felix Schwandtke, Karina Müller, Hille Perl, Lee Santana, Ludger Rémy, Instrumenta Musica, The Sirius Viols, Hans-Christoph Rademann was released on February 1, 2014. With Historia der Auferstehung Jesu Christi, SWV 50: IX. Und abermals sprach er zu ihnen being less than two minutes long, at 1:42, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 15 in the song's album "Schütz: Auferstehungshistorie (Complete Recording Vol. 9)". In this album, this song's track order is #11. Furthermore, we believe that the track originated from Germany. The popularity of Historia der Auferstehung Jesu Christi, SWV 50: IX. Und abermals sprach er zu ihnen is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Historia der Auferstehung Jesu Christi, SWV 50: IX. Und abermals sprach er zu ihnen by Heinrich Schütz, Georg Poplutz, Felix Rumpf, Felix Schwandtke, Karina Müller, Hille Perl, Lee Santana, Ludger Rémy, Instrumenta Musica, The Sirius Viols, Hans-Christoph Rademann having a BPM of 169 with a half-time of 84 BPM and a double-time of 338 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 3/4.
This song is in the music key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Tantum ergo, WAB 43 | Anton Bruckner, Latvian Radio Choir, Kristīne Adamaite, Sigvards Kļava | A Major | 2 | 11B | 135 BPM | ||
Vespro della beata Vergine (1610): Concerto - Duo Seraphim | Claudio Monteverdi, Andrew Parrott, The Taverner Consort, Choir & Players | G Minor | 2 | 6A | 82 BPM | ||
All'imperio d'Amore: 3. Ineffabile ardore a 6 "Il rapimento di Cefalo" | Giulio Caccini, Ensemble Pygmalion, Raphael Pichon | F Major | 2 | 7B | 62 BPM | ||
The silver swan | Orlando Gibbons, Tessa Bonner, The Rose Consort Of Viols | E Major | 0 | 12B | 44 BPM | ||
6 Chansons: No. 6. Verger | Paul Hindemith, SWR Vokalensemble Stuttgart, Marcus Creed | C Minor | 3 | 5A | 133 BPM | ||
Johannes-Passion, SWV 481: III. Jesus vor Hannas und Kaiphas | Heinrich Schütz, Kammerchor der Essener Domsingknaben, Harald Martini | D♭ Major | 1 | 3B | 170 BPM | ||
Misa a Buenos Aires "Misatango": Agnus Dei | MartÍn Palmeri, Annekathrin Laabs, Sächsisches Vokalensemble, Dresdner Kapellsolisten, Cuarteto Rotterdam, Matthias Jung | C Major | 1 | 8B | 82 BPM | ||
Erbarm dich mein, o Herre Gott, SWV 447 | Heinrich Schütz, Ricercar Consort, Philippe Pierlot, Yetzabel Arias | G Minor | 2 | 6A | 117 BPM | ||
Prime die Lectio secunda: XIII. Zaïn | Emilio de' Cavalieri, Le Poème Harmonique, Vincent Dumestre | F♯ Major | 1 | 2B | 73 BPM | ||
Trist'Amarilli mia | Philippe Verdelot, Profeti Della Quinta | F♯ Minor | 1 | 11A | 83 BPM |
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