Heinrich Schütz, Kammerchor der Essener Domsingknaben, Harald Martini's 'Johannes-Passion, SWV 481: III. Jesus vor Hannas und Kaiphas' came out on March 25, 2024. Johannes-Passion, SWV 481: III. Jesus vor Hannas und Kaiphas is about six minutes long, preciously at 5:58, making this song fairly long compared to other songs. There are a total of 8 in the song's album "Schütz: Johannes Passion". In this album, this song's track order is #3. Furthermore, we believe that the track originated from Germany. The popularity of Johannes-Passion, SWV 481: III. Jesus vor Hannas und Kaiphas is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Johannes-Passion, SWV 481: III. Jesus vor Hannas und Kaiphas by Heinrich Schütz, Kammerchor der Essener Domsingknaben, Harald Martini having a BPM of 170 with a half-time of 85 BPM and a double-time of 340 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 1/4.
This song is in the music key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto in D Major, Op. 6 No. 1: IV. Allegro | Arcangelo Corelli, Musica Amphion, Pieter-Jan Belder | C Major | 1 | 8B | 72 BPM | ||
Meditation No. 4 | Alexander Därr | C Major | 0 | 8B | 138 BPM | ||
Se l'ardor foss'equale | Philippe Verdelot, Profeti Della Quinta | A♭ Minor | 1 | 1A | 109 BPM | ||
Mass No. 2 in F Major, Hob.XXII:1, "Missa brevis": Sanctus | Joseph Haydn, Trinity Church Choir, New York, Rebel Baroque Orchestra, Owen Burdick | C Major | 3 | 8B | 92 BPM | ||
Messa della Madonna: Kyrye della Madonna II | Girolamo Frescobaldi, Federico del Sordo, Schola Gregoriana Gregoriani Urbis Cantores, Alberto Turco | F♯ Major | 1 | 2B | 86 BPM | ||
Te Deum, H. 146: V. Tu de victo mortis aculeo | Marc-Antoine Charpentier, Ensemble les Surprises, Louis-Noël Bestion de Camboulas, David Witczak | B♭ Major | 4 | 6B | 106 BPM | ||
Biber: Requiem a 15 in A Major: II. Kyrie | Heinrich Ignaz Franz von Biber, Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra | B♭ Major | 1 | 6B | 135 BPM | ||
Geistliche Chormusik, Op. 11: 11. So fahr ich hin zu Jesu Christ, SWV 379 | Heinrich Schütz, Marie Luise Werneburg, Oliver Kaden, Stefan Kunath, Felix Schwandtke, Frauke Hess, Ludger Rémy, Dresdner Kammerchor, Hans-Christoph Rademann | D♭ Major | 1 | 3B | 86 BPM | ||
Tota pulchra es amica mea, F 11.15 - a 2 canto e tenore | Girolamo Frescobaldi, Lorenzo Ghielmi | C Minor | 1 | 5A | 0 BPM | ||
Die Himmel erzählen die Ehre Gottes, Op.11, No.18, SWV 386 | Heinrich Schütz, Capella De La Torre, Bavarian Radio Chorus, Katharina Bauml, Florian Helgath | G Major | 1 | 9B | 93 BPM |
Section: 0.5439984798431396
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