"Erbarm dich mein, o Herre Gott, SWV 447" by Heinrich Schütz, Ricercar Consort, Philippe Pierlot, Yetzabel Arias was released on March 8, 2024. With this song being about 5 minutes long, at 4:32, "Erbarm dich mein, o Herre Gott, SWV 447" by Heinrich Schütz, Ricercar Consort, Philippe Pierlot, Yetzabel Arias is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 8 out of 13 in Da Pacem by Heinrich Schütz, Ricercar Consort, Philippe Pierlot. Going off of the ISRC code of this track, we detected that the origin of this track is from France. In terms of popularity, Erbarm dich mein, o Herre Gott, SWV 447 is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Erbarm dich mein, o Herre Gott, SWV 447 by Heinrich Schütz, Ricercar Consort, Philippe Pierlot, Yetzabel Arias is Moderato (at a moderate speed), since this song has a tempo of 117 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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The First Part of Ayres, French, Pollish and others together … with Pavines, Galliards, and Almaines (1605): IV. A Merry Meeting | Tobias Hume, Matteo Cicchitti, Musica Elegentia | D♭ Minor | 0 | 12A | 94 BPM | ||
Passionsoratorium, BWV Anh. 169 (Reconstructed by Alexander Grychtolik), Pt. II: No. 21. Recitativ, "Wie sieht dein Haar" (Zion) | Johann Sebastian Bach, Christian Friedrich Henrici, Il Gardellino, Alexander Grychtolik, Miriam Feuersinger | A♭ Minor | 2 | 1A | 96 BPM | ||
Gluck: Orfeo ed Euridice, Wq. 30, Act 2: "Che puro ciel!" (Orfeo, Coro) | Christoph Willibald Gluck, Stefan Plewniak, Il Giardino d'Amore Choir, Jakub Józef Orliński, Il Giardino d'Amore | D♭ Major | 3 | 3B | 129 BPM | ||
Languet anima mea BWV deest 1006: V. Alleluja | Francesco Bartolomeo Conti, Johann Sebastian Bach, Bach Collegium Japan, Masaaki Suzuki, Hana Blaziková | D♭ Minor | 2 | 12A | 120 BPM | ||
Sonata IX in Do Magg.: III. Adagio | Michele Mascitti, Matteo Cicchitti, Musica Elegentia | A♭ Minor | 0 | 1A | 84 BPM | ||
Prelude in D Major: The Division-Violist: Prelude | Christopher Simpson, John Dornenburg | D♭ Minor | 0 | 12A | 79 BPM | ||
Piece in D Minor, WK 205. Arpeggio - No. 20 from "27 Pieces for Bass Viol - The Drexel Manuscript 5871" | Carl Friedrich Abel, Philippe Pierlot | D♭ Minor | 0 | 12A | 107 BPM | ||
Secunda die Lectio prima: VI. Hierusalem convertere ad dominum tuum | Emilio de' Cavalieri, Le Poème Harmonique, Vincent Dumestre | F♯ Major | 2 | 2B | 91 BPM | ||
Christ lag in Todesbanden: IVc. Aria "Er ist das rechte Osterlamb" | Johann Kuhnau, Paul Agnew, Les Arts Florissants, Thomas Hobbs | E Major | 1 | 12B | 79 BPM | ||
Quatrième suite in A Minor: No. 3, Gavotte | Marin Marais, François Joubert-Caillet, L'Achéron | F♯ Minor | 1 | 11A | 94 BPM |
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