"The Magic Flute, K. 620: Act, II No. 9 Marsch der Priester" by Rundfunkorchester des Südwestfunks Baden-Baden was released on January 2, 2019. The duration of The Magic Flute, K. 620: Act, II No. 9 Marsch der Priester is about two minutes long, specifically at 2:41. This song does not appear to have any foul language. The Magic Flute, K. 620: Act, II No. 9 Marsch der Priester's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Wolfgang Amedeus Mozart: Arias and Opera Scenes by Rundfunkorchester des Südwestfunks Baden-Baden. The song's track number on the album is #9 out of 16 tracks. The Magic Flute, K. 620: Act, II No. 9 Marsch der Priester is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since The Magic Flute, K. 620: Act, II No. 9 Marsch der Priester by Rundfunkorchester des Südwestfunks Baden-Baden has a tempo of 79 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With The Magic Flute, K. 620: Act, II No. 9 Marsch der Priester being at 79 BPM, the half-time would be 40 BPM with a double-time of 158 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song has a musical key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Trumpet Concerto in E-Flat Major, Hob. VIIe:1: I. Allegro | Joseph Haydn, Alison Balsom, Thomas Klug, Deutsche Kammerphilharmonie Bremen | A Major | 2 | 11B | 102 BPM | ||
Music for the Royal Fireworks: Suite HWV 351: 4. La réjouissance | George Frideric Handel, Academy of Ancient Music, Christopher Hogwood | D♭ Major | 4 | 3B | 102 BPM | ||
Voices of Spring Waltz, Op. 410 | Orchestra of the Viennese Volksoper & Alfred Scholz | C Minor | 1 | 5A | 99 BPM | ||
Moment Musical in F Minor, Op. 94, No. 3, D. 780 (arr. for chamber ensemble) | Anonymous , Franz Schubert, Budapest Strings, Bela Banfalvi | F Minor | 0 | 4A | 101 BPM | ||
Rusalka, Op. 114, B.203 / Act 1: Mesicku na nebi hlubokém | Antonín Dvořák, Anna Netrebko, Wiener Philharmoniker, Gianandrea Noseda | F♯ Major | 1 | 2B | 87 BPM | ||
Orchestral Suite No. 2 in B Minor, BWV 1067: VIII. Badinerie | Johann Sebastian Bach, The English Concert, Trevor Pinnock | G Minor | 3 | 6A | 97 BPM | ||
Servants' Chorus (Don Pasquale) | Choir and Orchestra of the Budapest State Opera, Josif Conta, Consortium Musicum Ljubjlana | A Major | 1 | 11B | 137 BPM | ||
The 4 Seasons: Violin Concerto in F major, Op. 8, No. 3, RV 293, "L'autunno" (Autumn): I. Allegro | Karoly Botvay | F Major | 0 | 7B | 107 BPM | ||
Carmen (1997 - Remaster), Act III: Entr'acte | Georges Bizet, Georges Prêtre, Orchestre du Théâtre National de l'Opéra Paris, Orchestre de l'Opéra National de Paris, Paris Opera Orchestra | D Minor | 2 | 7A | 132 BPM | ||
"Für Elise" Bagatelle No. 25 in A Minor (feat. Sarah Ainsworth) | The Royal Festival Orchestra, William Bowles, Sarah Ainsworth | A Minor | 1 | 8A | 121 BPM |
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