Johann Sebastian Bach, The English Concert, Trevor Pinnock made "Orchestral Suite No. 2 in B Minor, BWV 1067: VIII. Badinerie" available on January 1, 1988. With Orchestral Suite No. 2 in B Minor, BWV 1067: VIII. Badinerie being less than two minutes long, at 1:32, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 7 out of 15 in Bach: Orchestral Suites (Overtures) BWV 1067 & 1068 / Triple Concerto by Johann Sebastian Bach, Simon Standage, Lisa Beznosiuk, The English Concert, Trevor Pinnock. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, Orchestral Suite No. 2 in B Minor, BWV 1067: VIII. Badinerie is currently below average in popularity. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Orchestral Suite No. 2 in B Minor, BWV 1067: VIII. Badinerie by Johann Sebastian Bach, The English Concert, Trevor Pinnock is Andante (at a walking pace), since this song has a tempo of 97 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Burlesque de Quixotte: III. Son Attaque des moulins à vent | Georg Philipp Telemann, Simon Standage, Collegium Musicum 90 | D♭ Major | 4 | 3B | 134 BPM | ||
Concerto in D Major for Guitar and Strings, RV 93: I. Allegro giusto | Boris Björn Bagger | A Major | 3 | 11B | 114 BPM | ||
Cello Concerto In G Minor: 2. Adagio | Georg Matthias Monn, Jian Wang, Camerata Salzburg | E♭ Major | 0 | 5B | 81 BPM | ||
Goldberg Variations (‘Air with Thirty Variations’), BWV 988: Goldberg Variations (‘Air with Thirty Variations’), BWV 988: II. Allegro con freschezza, e deciso | Chiyan Wong, Johann Sebastian Bach, Ferruccio Busoni | D Major | 2 | 10B | 105 BPM | ||
Overture No. 6 in B-Flat Major: I. Allegro | Francesco Maria Veracini, L'Arte dell' Arco, Federico Guglielmo | F♯ Minor | 3 | 11A | 178 BPM | ||
Bach, JS : Well-Tempered Clavier Book 1 : Fugue No.2 in C minor BWV847 | Daniel Barenboim | C Minor | 1 | 5A | 132 BPM | ||
Concerto for Two Violins in D Minor, BWV 1063r: II. Alla Siciliana | Johann Sebastian Bach, Combattimento | F Major | 2 | 7B | 171 BPM | ||
Flute Sonata in E Flat, BWV 1031 (doubtful): II. Siciliano | Lionel Rogg, Michel Debost | G Minor | 1 | 6A | 93 BPM | ||
Passacaglia g-moll | Heinrich Ignaz Franz von Biber, Reinhard Goebel | F♯ Minor | 1 | 11A | 83 BPM | ||
Concerto Grosso in F Major, Op. 1, No. 1: I. Allegro | Pietro Locatelli, Capella Istropolitana, Jaroslav Krcek | C Major | 2 | 8B | 137 BPM |
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