- BPM
- 70
- Key
- B♭ Major
- Camelot
- 6B
La Traviata, Teil 5 - La Traviata Information
- Acousticness
- 96%
- Danceability
- 45%
- Energy
- 14%
- Instrumentalness
- 0%
- Liveness
- 35%
- Loudness
- 65%
- Speechiness
- 7%
- Valence
- 24%
- Popularity
- 8%
- Loudness
- -21.141 dB
Summary
La Traviata's 'La Traviata, Teil 5' came out on January 7, 2014. The duration of La Traviata, Teil 5 is about two minutes long, specifically at 2:54. This song does not appear to have any foul language. La Traviata, Teil 5's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in La Traviata's "La Traviata (Hörspiel)" album is number 5 out of 28. La Traviata, Teil 5 is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
La Traviata, Teil 5 BPM
We consider the tempo marking of La Traviata, Teil 5 by La Traviata to be Adagio (slowly with great expression) because the track has a tempo of 70 BPM, a half-time of 35BPM, and a double-time of 140 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
La Traviata, Teil 5 Key
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Norma / Act 1: Casta Diva | Vincenzo Bellini, Renée Fleming, London Voices, London Philharmonic Orchestra, Sir Charles Mackerras | F Major | 1 | 7B | 107 BPM | |
 | La Traviata, Teil 4 | La Traviata | F Minor | 2 | 4A | 109 BPM | |
 | Manon Lescaut: Act I: Donna non vidi mai simile a questa! | Giacomo Puccini, Lucienne van Deyck, Miriam Gauci, Donald George, Ludwig van Gijzegem, Kaludi Kaludov, Henk Lauwers, Marcel Rosca, Vicente Sardinero, BRT Philharmonic Chorus, Jaak Gregoor Choir, Belgian Radio and Television Philharmonic Orchestra, Alexander Rahbari | D Major | 0 | 10B | 83 BPM | |
 | L'Arlesiana / Act 2: "È la solita storia del pastore" | Francesco Cilea, Luciano Pavarotti, Vienna Opera Orchestra & Chorus, Nicola Rescigno | A Minor | 1 | 8A | 93 BPM | |
| Adriana Lecouvreur / Act 1: Io son l'umile ancella | Francesco Cilea, Renée Fleming, London Philharmonic Orchestra, Sir Charles Mackerras | A♭ Major | 1 | 4B | 89 BPM | |
 | Fedora / Act 2: "Amor ti vieta" | Umberto Giordano, Roberto Alagna, Orchestra of the Royal Opera House, Covent Garden, Sir Mark Elder | C Major | 1 | 8B | 91 BPM | |
 | I'te vurria vasà | Eduardo di Capua, Alfredo Mazzucchi, Luciano Pavarotti, Orchestra del Teatro Comunale di Bologna, Giancarlo Chiaramello | G Minor | 3 | 6A | 84 BPM | |
 | Les Pêcheurs de perles, WD 13, Act I: Au fond du temple saint | Georges Bizet, Alexandre Bloch, Orchestre National de Lille, Cyrille Dubois, Florian Sempey, Les Cris De Paris | B♭ Major | 1 | 6B | 101 BPM | |
 | Offenbach: Les Contes d'Hoffmann, Act 4: "Belle nuit, ô nuit d'amour" (Barcarolle) [Nicklausse, Giulietta, Chorus] | Jacques Offenbach, Sylvain Cambreling, Ann Murray, Jessye Norman, Orchestre De L'Opéra National Du Théatre Royal De La Monnaie, Bruxelles | D Major | 1 | 10B | 81 BPM | |
 | Turandot / Act II: "In questa reggia" | Giacomo Puccini, Anna Netrebko, Yusif Eyvazov, Coro dell'Accademia Nazionale Di Santa Cecilia, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano | D Major | 2 | 10B | 77 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.6400713920593262
End: 0.644920825958252