"Turandot / Act II: "In questa reggia"" by Giacomo Puccini, Anna Netrebko, Yusif Eyvazov, Coro dell'Accademia Nazionale Di Santa Cecilia, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano was released on September 2, 2016. Turandot / Act II: "In questa reggia" is about six minutes long, preciously at 6:12, making this song fairly long compared to other songs. This song is part of Verismo by Anna Netrebko, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano. The song's track number on the album is #10 out of 16 tracks. Turandot / Act II: "In questa reggia" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Turandot / Act II: "In questa reggia" by Giacomo Puccini, Anna Netrebko, Yusif Eyvazov, Coro dell'Accademia Nazionale Di Santa Cecilia, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano has a tempo of 77 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Turandot / Act II: "In questa reggia" being at 77 BPM, the half-time would be 38 BPM with a double-time of 154 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Torna a Surriento (Arr. Chiaramello) | Ernesto De Curtis, Freddie De Tommaso, London Philharmonic Orchestra, Renato Balsadonna | C Minor | 0 | 5A | 69 BPM | ||
Spartacus: Adagio of Spartacus and Phrygia | Aram Khachaturian, Wiener Philharmoniker | A♭ Major | 1 | 4B | 129 BPM | ||
12 Songs, Op. 21: 7. Zdes' khorosho | Sergei Rachmaninoff, Aida Garifullina, Vienna Radio Symphony Orchestra, Cornelius Meister | B♭ Major | 2 | 6B | 130 BPM | ||
Mozart: Cosi fan tutte, K. 588, Act 1: "Soave sia il sento" (Fiordiligi, Dorabella, Don Alfonso) | Wolfgang Amadeus Mozart, Alain Lombard, Frederica von Stade, Jules Bastin, Kiri Te Kanawa, Orchestre Philharmonique De Strasbourg | A♭ Major | 0 | 4B | 181 BPM | ||
Puccini: Suor Angelica: "Sorella, o buona sorella" (Suor Genovieffa, Chorus, Suor Angelica) | Giacomo Puccini, London Voices, London Symphony Orchestra, Tiffin School Boys' Choir, Antonio Pappano, Terry Edwards, Anna Maria Panzarella, Francesca Pedaci, Elena Zilio, Sara Fulgoni, Dorothea Rschmann, Judith Rees, Rachele Stanisci, Felicity Palmer, Deborah, Cristina Gallardo-Domas, Philharmonia Orchestra | C Major | 1 | 8B | 97 BPM | ||
Tosca, S.69 / Act 1: "Tre sbirri, una carrozza" | Giacomo Puccini, Bryn Terfel, Balcarras Crafoord, Swedish Radio Symphony Orchestra, Paul Daniel, Swedish Radio Choir, Arne Lundmark | C Minor | 3 | 5A | 71 BPM | ||
Don Pasquale / Act 3: "Com'è gentil...tornami a dir" | Gaetano Donizetti, Juan Diego Flórez, Andrea Menafra, Rossella Perrone, Giulio Patara, Coro Sinfonico di Milano Giuseppe Verdi, Orchestra Sinfonica di Milano Giuseppe Verdi, Riccardo Frizza | A Major | 2 | 11B | 102 BPM | ||
Act I: Glück, das mir verblieb (Marietta's Lied) | Erich Wolfgang Korngold, Leontyne Price, Nello Santi | B♭ Major | 2 | 6B | 78 BPM | ||
Die Zauberflöte, K. 620 / Erster Aufzug: "Dies Bildnis ist bezaubernd schön" | Wolfgang Amadeus Mozart, Fritz Wunderlich, Berliner Philharmoniker, Karl Böhm | E♭ Major | 1 | 5B | 94 BPM | ||
La traviata, Act 1: "Libiamo, ne' lieti calici" (Live) | Dame Joan Sutherland, Luciano Pavarotti | B♭ Major | 2 | 6B | 79 BPM |
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