"Norma / Act 1: Casta Diva" by Vincenzo Bellini, Renée Fleming, London Voices, London Philharmonic Orchestra, Sir Charles Mackerras was released on January 1, 2000. Since Norma / Act 1: Casta Diva is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 14 in the song's album "Renée Fleming". In this album, this song's track order is #13. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, Norma / Act 1: Casta Diva is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Norma / Act 1: Casta Diva by Vincenzo Bellini, Renée Fleming, London Voices, London Philharmonic Orchestra, Sir Charles Mackerras having a BPM of 107 with a half-time of 54 BPM and a double-time of 214 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
The music key of this track is F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Requiem In D Minor, K. 626: Introit: Requiem Aeternam | Slovak Philharmonic, Magdaléna Hajóssyová, Slovak Philharmonic Chorus, Vladimir Ruso, Stefan Klimo, Jozef Kundlák, Peter Mikulas, Jaroslava Horska, Wolfgang Amadeus Mozart | D Minor | 1 | 7A | 74 BPM | ||
Life and Works: Rusalka (Act I: Song to the Moon) | Sean Barrett | F♯ Major | 0 | 2B | 126 BPM | ||
Turandot: Act I: Signore, ascolta! | Giacomo Puccini, Masako Deguci, Giovanna Casolla, Lando Bartolini, Gorka Gerrikabeitia, Francisco Heredia, Javier Mas, Vicenc Esteve, Armando Ariostini, Jose Garcia-Quijada, Felipe Bou, Bilbao Choral Society, Malaga Philharmonic Orchestra, Alexander Rahbari | D Major | 2 | 10B | 125 BPM | ||
Giordano: Fedora, Act 2: "Amor ti vieta di non amar" (Loris) | Umberto Giordano, Plácido Domingo, Nello Santi, Orchestra of the Deutsche Oper Berlin | F Major | 1 | 7B | 115 BPM | ||
Nulla in Mundo Pax Sincera, RV 630 | Antonio Vivaldi, Elin Manahan Thomas, Orchestra of the Age of Enlightenment, Harry Christophers | E♭ Major | 0 | 5B | 85 BPM | ||
L'elisir d'amore / Act 2: "Una furtiva lagrima" | Gaetano Donizetti, Joseph Calleja, Academy of St. Martin in the Fields, Carlo Rizzi | B♭ Minor | 1 | 3A | 135 BPM | ||
I genitori (To Take To Hold) | Yanni, Renée Fleming | A♭ Major | 4 | 4B | 134 BPM | ||
The Armed Man - A Mass For Peace: V. Sanctus | Karl Jenkins, London Philharmonic Orchestra, National Youth Choir Of Great Britain, Mike Brewer, Neil Percy | A Minor | 2 | 8A | 130 BPM | ||
Martern aller Arten | Wolfgang Amadeus Mozart, Ruth Ann Swenson, Orchestra of the Age of Enlightenment, John Toll, Susan Sheppard, Elizabeth Kenny, Hancock William Carter, Sir Charles Mackerras | C Major | 1 | 8B | 121 BPM | ||
Symphony No. 5 in C-Sharp Minor: IV. Adagietto | London Philharmonic Orchestra | F Major | 2 | 7B | 85 BPM |
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