Tchaikovsky: Eugene Onegin, Op. 24, Act I: Tatiana's Letter Scene. "Puskay pogibnu ya, no prezhde" (Tatiana)
Pyotr Ilyich Tchaikovsky, Lucia Popp, Stefan Soltesz, Munich Radio Orchestra
Lucia Popp sings Slavonic Opera Arias
12:11 1988
BPM
103
Key
D♭ Major
Camelot
3B

Embed

Share Link

Tchaikovsky: Eugene Onegin, Op. 24, Act I: Tatiana's Letter Scene. "Puskay pogibnu ya, no prezhde" (Tatiana) - Pyotr Ilyich Tchaikovsky, Lucia Popp, Stefan Soltesz, Munich Radio Orchestra Information

Acousticness
97%
Danceability
31%
Energy
10%
Instrumentalness
0%
Liveness
9%
Loudness
67%
Speechiness
5%
Valence
6%
Popularity
Loudness
-19.515 dB

Summary

"Tchaikovsky: Eugene Onegin, Op. 24, Act I: Tatiana's Letter Scene. "Puskay pogibnu ya, no prezhde" (Tatiana)" by Pyotr Ilyich Tchaikovsky, Lucia Popp, Stefan Soltesz, Munich Radio Orchestra was released on 1988. Tchaikovsky: Eugene Onegin, Op. 24, Act I: Tatiana's Letter Scene. "Puskay pogibnu ya, no prezhde" (Tatiana) appears to be safe for all ages as it is not explicit. The track order of this song in Lucia Popp, Stefan Soltesz, Munich Radio Orchestra's "Lucia Popp sings Slavonic Opera Arias" album is number 10 out of 10. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, Tchaikovsky: Eugene Onegin, Op. 24, Act I: Tatiana's Letter Scene. "Puskay pogibnu ya, no prezhde" (Tatiana) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Tchaikovsky: Eugene Onegin, Op. 24, Act I: Tatiana's Letter Scene. "Puskay pogibnu ya, no prezhde" (Tatiana) BPM

We consider the tempo marking of Tchaikovsky: Eugene Onegin, Op. 24, Act I: Tatiana's Letter Scene. "Puskay pogibnu ya, no prezhde" (Tatiana) by Pyotr Ilyich Tchaikovsky, Lucia Popp, Stefan Soltesz, Munich Radio Orchestra to be Andante (at a walking pace) because the track has a tempo of 103 BPM, a half-time of 52BPM, and a double-time of 206 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.

Tchaikovsky: Eugene Onegin, Op. 24, Act I: Tatiana's Letter Scene. "Puskay pogibnu ya, no prezhde" (Tatiana) Key

This song has a musical key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Ständchen, S. 560 (Trans. from Schwanengesang No. 4, D. 957) by Franz Schubert, Franz Liszt, Khatia BuniatishviliStändchen, S. 560 (Trans. from Schwanengesang No. 4, D. 957)Franz Schubert, Franz Liszt, Khatia BuniatishviliD Major010B67 BPM
Raymonda, Op. 57: Act III - Variation IV by Alexander Glazunov, Moscow Symphony Orchestra, Alexander AnissimovRaymonda, Op. 57: Act III - Variation IVAlexander Glazunov, Moscow Symphony Orchestra, Alexander AnissimovD Minor07A90 BPM
Schubert: 4 Impromptus, Op. 90, D. 899: No. 3 in G-Flat Major by Franz Schubert, Rudolf BuchbinderSchubert: 4 Impromptus, Op. 90, D. 899: No. 3 in G-Flat MajorFranz Schubert, Rudolf BuchbinderG Major09B135 BPM
Vremena Goda (The Seasons), Op. 67: Summer: Waltz of the Cornflowers and the Poppies by Alexander Glazunov, Slovak Radio Symphony OrchestraVremena Goda (The Seasons), Op. 67: Summer: Waltz of the Cornflowers and the PoppiesAlexander Glazunov, Slovak Radio Symphony OrchestraD Major110B100 BPM
Waltz No. 6 in D-Flat Major, Op. 64, No. 1 Waltz No. 6 in D-Flat Major, Op. 64, No. 1 "Minute"Frédéric Chopin, Alice Sara OttA♭ Major04B169 BPM
Zdes' khorosho ('How Fair This Spot'), Op. 21, No. 7 by Sergei Rachmaninoff, Pablo Ferrandez, Denis KozhukhinZdes' khorosho ('How Fair This Spot'), Op. 21, No. 7Sergei Rachmaninoff, Pablo Ferrandez, Denis KozhukhinA Major011B87 BPM
Danse macabre in G Minor, Op. 40 by Camille Saint-Saëns, Slovak Radio Symphony Orchestra, Keith ClarkDanse macabre in G Minor, Op. 40Camille Saint-Saëns, Slovak Radio Symphony Orchestra, Keith ClarkG Minor26A116 BPM
Swan Lake, Op.20 - Mariinsky Version / Act 1: Scene 1: Pas de trois - Variation 1 (Allegro semplice) by Pyotr Ilyich Tchaikovsky, Mariinsky Orchestra, Valery GergievSwan Lake, Op.20 - Mariinsky Version / Act 1: Scene 1: Pas de trois - Variation 1 (Allegro semplice)Pyotr Ilyich Tchaikovsky, Mariinsky Orchestra, Valery GergievE♭ Major25B97 BPM
Solfeggio No. 1 in C Minor, Wq. 117/2, H. 220 by Carl Philipp Emanuel Bach, Ana-Marija MarkovinaSolfeggio No. 1 in C Minor, Wq. 117/2, H. 220Carl Philipp Emanuel Bach, Ana-Marija MarkovinaF Minor24A76 BPM
Swan Lake, Op.20, Act IV: 27. Dance of the Little Swans (Moderato) by Pyotr Ilyich Tchaikovsky, André Previn, London Symphony OrchestraSwan Lake, Op.20, Act IV: 27. Dance of the Little Swans (Moderato)Pyotr Ilyich Tchaikovsky, André Previn, London Symphony OrchestraB♭ Minor03A98 BPM
ISRC
GBAYC8703832
Label
L-M Records/RCA Records

Section: 0.6789987087249756

End: 0.6827466487884521