"Ständchen, S. 560 (Trans. from Schwanengesang No. 4, D. 957)" by Franz Schubert, Franz Liszt, Khatia Buniatishvili was released on March 15, 2019. Since Ständchen, S. 560 (Trans. from Schwanengesang No. 4, D. 957) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 9 in the song's album "Schubert". In this album, this song's track order is #9. Furthermore, we believe that the track originated from United States. Ständchen, S. 560 (Trans. from Schwanengesang No. 4, D. 957) is fairly popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Ständchen, S. 560 (Trans. from Schwanengesang No. 4, D. 957) by Franz Schubert, Franz Liszt, Khatia Buniatishvili having a BPM of 67 with a half-time of 34 BPM and a double-time of 134 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
D Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto for Piano and Orchestra No. 23 in A major: II. Adagio | Wolfgang Amadeus Mozart, Imogen Cooper, Royal Northern Sinfonia | F♯ Minor | 0 | 11A | 85 BPM | ||
The Four Seasons - Violin Concerto in F Minor, Op. 8 No. 4, RV 297 "Winter": I. Allegro non molto | Antonio Vivaldi, Joshua Bell, Academy of St. Martin in the Fields | F Minor | 2 | 4A | 158 BPM | ||
Romeo and Juliet, Op. 64 / Act 1: Dance Of The Knights | Sergei Prokofiev, Cleveland Orchestra, Lorin Maazel | C Major | 1 | 8B | 79 BPM | ||
Piano Concerto No. 2 Op. 102 in F Major: II. Andante | Dmitri Shostakovich, Alexander Melnikov, Mahler Chamber Orchestra, Teodor Currentzis | C Minor | 0 | 5A | 78 BPM | ||
Etudes symphoniques (Symphonic Etudes), Op. 13, Adagio and Allegro brillante: Variation 11 [arr. P.I. Tchaikovsky for orchestra] | Seattle Symphony Orchestra, Robert Schumann, Gerard Schwarz | A Minor | 0 | 8A | 70 BPM | ||
Concerto for Lute, 2 Violins and Continuo in D major, RV 93: 2. Largo (Arr. for Guitar) | Antonio Vivaldi, Eduardo Fernandez, English Chamber Orchestra, George Malcolm | D Major | 1 | 10B | 170 BPM | ||
Ständchen, S. 560 (Trans. from Schwanengesang No. 4, D. 957) | Franz Schubert, Franz Liszt, Khatia Buniatishvili | D Major | 0 | 10B | 67 BPM | ||
Moment Musical in F Minor, Op. 94, No. 3, D. 780 (arr. for chamber ensemble) | Anonymous , Franz Schubert, Budapest Strings, Bela Banfalvi | F Minor | 0 | 4A | 101 BPM | ||
Serenade | Franz Schubert, Eugene Ormandy, Philadelphia Orchestra | C Major | 0 | 8B | 91 BPM | ||
6 Moments musicaux, Op. 94, D. 780: III. Allegro moderato | Franz Schubert, Seong-Jin Cho | A Major | 1 | 11B | 87 BPM |
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