Swan Lake, Op.20, Act IV: 27. Dance of the Little Swans (Moderato) - Pyotr Ilyich Tchaikovsky, André Previn, London Symphony Orchestra Information

Acousticness: 99%
Danceability: 20%
Energy: 2%
Instrumentalness: 92%
Liveness: 13%
Loudness: 50%
Speechiness: 4%
Valence: 11%
Popularity: 33%
Loudness: -29.79 dB

Summary

"Swan Lake, Op.20, Act IV: 27. Dance of the Little Swans (Moderato)" by Pyotr Ilyich Tchaikovsky, André Previn, London Symphony Orchestra was released on 1976. With this song being around four minutes long, at 4:24, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 31 in the song's album "Tchaikovsky: Swan Lake". In this album, this song's track order is #16. In terms of popularity, Swan Lake, Op.20, Act IV: 27. Dance of the Little Swans (Moderato) is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Swan Lake, Op.20, Act IV: 27. Dance of the Little Swans (Moderato) BPM

With Swan Lake, Op.20, Act IV: 27. Dance of the Little Swans (Moderato) by Pyotr Ilyich Tchaikovsky, André Previn, London Symphony Orchestra having a BPM of 98 with a half-time of 49 BPM and a double-time of 196 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.

Swan Lake, Op.20, Act IV: 27. Dance of the Little Swans (Moderato) Key

This song has a musical key of B♭ Minor. Which also means that the camelot key for this song is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Introduction and Tarantella, Op. 43	Pablo de Sarasate, Joshua Bell, Nigel Hess	G Major	1	9B	106 BPM
Sonata for Violin and Guitar in D Major, Op. 2, No. 5, MS 26: Allegro spiritoso	Niccolò Paganini, Scott St. John, Simon Wynberg	D Major	1	10B	86 BPM
Symphony No. 4 in A Major, Op. 90, MWV N 16, "Italian": III. Con moto moderato	Felix Mendelssohn, London Symphony Orchestra, Claudio Abbado	A Major	0	11B	69 BPM
Sinfonia da Requiem, Op. 20: II. Dies irae. Allegro con fuoco - Alla marcia	Benjamin Britten, Sir Simon Rattle, London Symphony Orchestra	D Major	2	10B	148 BPM
"The Moldau" from Ma Vlast in E minor	London Symphony Orchestra	E Major	2	12B	112 BPM
Henry VIII: Scherzetto	Camille Saint-Saëns, Razumovsky Symphony Orchestra, Andrew Mogrelia	B♭ Major	0	6B	92 BPM
Giselle: Andante	Adolphe Adam, London Symphony Orchestra, Michael Tilson Thomas	D Major	0	10B	122 BPM
Symphony No. 7 in A Major, Op. 92: III. Presto. Trio I und II. Assai meno presto	Ludwig van Beethoven, Berliner Philharmoniker, Kirill Petrenko	D Major	2	10B	105 BPM
Violin Concerto, Op. 48: I. Allegro molto e con brio	Dmitry Kabalevsky, Neeme Järvi, Royal Scottish National Orchestra, Lydia Mordkovitch	C Major	2	8B	145 BPM
Jazz Suite No. 2: 4. Waltz I	Dmitri Shostakovich, Concertgebouworkest, Riccardo Chailly	B♭ Major	2	6B	178 BPM

ISRC: This song does not have an ISRC.
Label: L-M Records/RCA Records

Section: 0.7701828479766846

End: 0.7736153602600098