"Idillio-concertino in A Major, Op. 15: III. Adagio" by Ermanno Wolf-Ferrari, Andrea Tenaglia, Rome Symphony Orchestra, Francesco La Vecchia was released on August 7, 2012. Since Idillio-concertino in A Major, Op. 15: III. Adagio is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. This song is part of Wolf-Ferrari: Wind Concertinos by Ermanno Wolf-Ferrari, Andrea Tenaglia, Francesco La Vecchia. The song's track number on the album is #3 out of 12 tracks. Based on our data, Hong Kong was the country where this track was produced or recorded. Idillio-concertino in A Major, Op. 15: III. Adagio is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Idillio-concertino in A Major, Op. 15: III. Adagio by Ermanno Wolf-Ferrari, Andrea Tenaglia, Rome Symphony Orchestra, Francesco La Vecchia has a tempo of 77 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Idillio-concertino in A Major, Op. 15: III. Adagio being at 77 BPM, the half-time would be 38 BPM with a double-time of 154 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
A Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Debussy / Orch. Büsser: Printemps, L. 68: I. Très Modéré | Claude Debussy, Michel Plasson, Philippe Alègre, Martine Laure, Orchestre Du Capitole De Toulouse | D♭ Major | 2 | 3B | 84 BPM | ||
La Bohème, SC 67, Act I: Che gelida manina | Giacomo Puccini, Cincinnati Pops Orchestra, Erich Kunzel | A♭ Major | 0 | 4B | 81 BPM | ||
Un ballo in maschera: Overture | Giuseppe Verdi, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | F Major | 0 | 7B | 49 BPM | ||
Dichter und Bauer: Overture | Franz von Suppé, Tonkünstler-Orchester, Ola Rudner | C Major | 0 | 8B | 76 BPM | ||
Serenade for Strings in C, Op. 48: 2. Walzer: Moderato (Tempo di valse) | Pyotr Ilyich Tchaikovsky, Saito Kinen Orchestra, Seiji Ozawa | E♭ Major | 0 | 5B | 111 BPM | ||
Symphonie No. 3 in E-Flat Major, Op. 97: III. Nicht schnell (Moderato) | Robert Schumann, Dresdner Philharmonie, Marek Janowski | A♭ Major | 0 | 4B | 100 BPM | ||
Serenade for Strings in E Minor, Op. 20: III. Allegretto | Edward Elgar, Orpheus Chamber Orchestra | E♭ Major | 0 | 5B | 68 BPM | ||
Cinderella Suite, Op. 87: Act I: Introduction | Sergei Prokofiev, Leonard Slatkin, St. Louis Symphony | F Major | 0 | 7B | 86 BPM | ||
Symphony No. 1 in D Major, Op. 25 "Classical Symphony": II. Larghetto | Sergei Prokofiev, Orpheus Chamber Orchestra | G Major | 2 | 9B | 151 BPM | ||
Relâche, Pt. 1: No. 3, Entrée de la femme | Erik Satie, Ronald Corp, New London Orchestra | D Minor | 2 | 7A | 131 BPM |
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