"La Bohème, SC 67, Act I: Che gelida manina" by Giacomo Puccini, Cincinnati Pops Orchestra, Erich Kunzel was released on March 1, 1991. With this song being about 5 minutes long, at 4:43, "La Bohème, SC 67, Act I: Che gelida manina" by Giacomo Puccini, Cincinnati Pops Orchestra, Erich Kunzel is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 19 in the song's album "Pops Plays Puccini". In this album, this song's track order is #14. Furthermore, we believe that the track originated from United States. La Bohème, SC 67, Act I: Che gelida manina is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With La Bohème, SC 67, Act I: Che gelida manina by Giacomo Puccini, Cincinnati Pops Orchestra, Erich Kunzel having a BPM of 81 with a half-time of 40 BPM and a double-time of 162 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
A Fugal Concerto, Op. 40: II. Adagio | Gustav Holst, Janos Balint, Lajos Lencsés, Budapest Strings, Karoly Botvay | G Major | 2 | 9B | 144 BPM | ||
Symphony No. 2 in C minor, Op. 29: V. Maestoso | Alexander Scriabin, Brussels Philharmonic, Kazushi Ono | C Major | 3 | 8B | 78 BPM | ||
Gymnopédie No. 2 (Orch. Corp) | Erik Satie, Ronald Corp, New London Orchestra | D Major | 1 | 10B | 159 BPM | ||
The Tempest: Suite No. 2, Op. 109: V. Song I and II | Jean Sibelius, Iceland Symphony Orchestra, Petri Sakari | C Major | 1 | 8B | 70 BPM | ||
Le Villi: Preludio | Giacomo Puccini, Lorin Maazel, London National Philharmonic Orchestra | D Major | 1 | 10B | 98 BPM | ||
Carnival of the Animals (after C. Saint-Saens): VII. Aquarium | John Morris Russell, Cincinnati Pops Orchestra | A Minor | 1 | 8A | 72 BPM | ||
Dichter und Bauer: Overture | Franz von Suppé, Tonkünstler-Orchester, Ola Rudner | C Major | 0 | 8B | 76 BPM | ||
He Hopes I Go Crazy | Paolo MIllon, Neon Lilith, Andrea Sullivan, Alan R Black | F Major | 3 | 7B | 80 BPM | ||
Satie: Parade: Acrobates | Erik Satie, Orchestre Du Capitole De Toulouse, Michel Plasson | A Minor | 2 | 8A | 101 BPM | ||
Symphony No. 8: II. Andante grazioso | Paul von Klenau, Singapore Symphony Orchestra, Hans Graf | G Major | 0 | 9B | 76 BPM |
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