"The Tempest: Suite No. 2, Op. 109: V. Song I and II" by Jean Sibelius, Iceland Symphony Orchestra, Petri Sakari was released on February 25, 2001. The duration of The Tempest: Suite No. 2, Op. 109: V. Song I and II is about two minutes long, specifically at 2:07. This song does not appear to have any foul language. The Tempest: Suite No. 2, Op. 109: V. Song I and II's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 13 in the song's album "Sibelius: Symphonies Nos. 6 and 7 / 'The Tempest', Suite No. 2". In this album, this song's track order is #9. Furthermore, we believe that the track originated from Hong Kong. The Tempest: Suite No. 2, Op. 109: V. Song I and II is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The Tempest: Suite No. 2, Op. 109: V. Song I and II by Jean Sibelius, Iceland Symphony Orchestra, Petri Sakari having a BPM of 70 with a half-time of 35 BPM and a double-time of 140 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Summer Night - Suite from 'The Duenna', Op. 123: 4. Dream | Bournemouth Symphony Orchestra, Paavo Berglund | F Major | 1 | 7B | 67 BPM | ||
Simple Symphony, Op. 4: II. Playful Pizzicato | Benjamin Britten, Budapest Strings, Karoly Botvay | G Major | 2 | 9B | 144 BPM | ||
Kavaljeren (The Cavalier), JS 109: Kavaljeren | Håvard Gimse, Jean Sibelius | E Major | 2 | 12B | 158 BPM | ||
A Un Mundo | Casualidades Del Destino | E Minor | 3 | 9A | 178 BPM | ||
Glistening Grimoires | Super Sound Studio | F♯ Major | 2 | 2B | 81 BPM | ||
Lohengrin, WWV 75, Act III: Prelude (Excerpt) | Richard Wagner, Russian State Symphony Orchestra, John McGlinn | G Major | 3 | 9B | 76 BPM | ||
L'Arlésienne Suite No. 2: IV. Farandole (Arr. E. Guirand for Orchestra) | Ernest Guiraud, Georges Bizet, Yomiuri Nippon Symphony Orchestra, Kazuo Yamada | E♭ Major | 1 | 5B | 84 BPM | ||
String Quartet N 20 Mov 1 Mazurka Version Musescore 4 | Luca Schettino | B Major | 1 | 1B | 113 BPM | ||
Soirées Musicales, Op. 9 (After Rossini): March | Adelaide Symphony Orchestra, Timothy Sexton | B♭ Major | 3 | 6B | 115 BPM | ||
Carmina | True LUFS Project | C Major | 2 | 8B | 90 BPM |
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