"Soirées Musicales, Op. 9 (After Rossini): March" by Adelaide Symphony Orchestra, Timothy Sexton was released on 2011. With Soirées Musicales, Op. 9 (After Rossini): March being less than two minutes long, at 1:36, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 14 out of 25 in Fanfare by Adelaide Symphony Orchestra. In terms of popularity, Soirées Musicales, Op. 9 (After Rossini): March is currently not that popular. Although the overall vibe is very danceable, it does project more negative sounds.
The tempo marking of Soirées Musicales, Op. 9 (After Rossini): March by Adelaide Symphony Orchestra, Timothy Sexton is Moderato (at a moderate speed), since this song has a tempo of 115 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
12 Songs, Op. 21: VII. Zdes' Khorosho (Orchestral Version) | Sergei Rachmaninoff, Royal Liverpool Philharmonic Orchestra, Vasily Petrenko | A Major | 0 | 11B | 76 BPM | ||
Como en las Grandes Citas | Asklepios | A Minor | 4 | 8A | 90 BPM | ||
Saint-Saëns: Le carnaval des animaux, R. 125: XIV. Final | Camille Saint-Saëns, Michel Plasson, Mikhail Rudy, Tzimon Barto, Orchestre Du Capitole De Toulouse | C Major | 3 | 8B | 94 BPM | ||
Earth Wind and Fire | Aileen | D♭ Major | 1 | 3B | 105 BPM | ||
Simple Gifts | Aaron Copland, Greta Bradman, Adelaide Symphony Orchestra, Luke Dollman | A♭ Major | 1 | 4B | 72 BPM | ||
Concertante Suite for tuba and four horns: IV. Alla marcia | Christer Danielsson, Nelson Green, Peter Whish-Wilson, Philip Hall, Philip Paine, Sarah Galbraith, David Stanhope, Adelaide Symphony Orchestra | E♭ Major | 1 | 5B | 129 BPM | ||
Great Sandy Island: 2. The Boro-ground | Peter Sculthorpe, Adelaide Symphony Orchestra, James Judd | C Major | 1 | 8B | 88 BPM | ||
Violin Concerto in D Minor, WoO 1: III. Lebhaft, doch nicht schnell (Excerpt) | Robert Schumann, Ilya Kaler, Bournemouth Symphony Orchestra, Pietari Inkinen | D Major | 2 | 10B | 76 BPM | ||
Pulcinella Suite: IV. Tarantella | Igor Stravinsky, Pablo Heras-Casado, Mahler Chamber Orchestra | C Major | 0 | 8B | 140 BPM | ||
St Anthony Variations, Op. 56a "Haydn Variations": Var. 3. Con moto | Johannes Brahms, Staatskapelle Dresden, Claudio Abbado | D Minor | 0 | 7A | 82 BPM |
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