"St Anthony Variations, Op. 56a "Haydn Variations": Var. 3. Con moto" by Johannes Brahms, Staatskapelle Dresden, Claudio Abbado was released on February 17, 2023. With St Anthony Variations, Op. 56a "Haydn Variations": Var. 3. Con moto being less than two minutes long, at 1:53, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 39 out of 128 in Abbado: Brahms by Johannes Brahms, Claudio Abbado. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. St Anthony Variations, Op. 56a "Haydn Variations": Var. 3. Con moto is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of St Anthony Variations, Op. 56a "Haydn Variations": Var. 3. Con moto by Johannes Brahms, Staatskapelle Dresden, Claudio Abbado is Andante (at a walking pace), since this song has a tempo of 82 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Rhapsody on a Theme of Paganini, Op. 43: Var. 24, A tempo un poco meno mosso | Sergei Rachmaninoff, Dubravka Tomšič, Ljubljana Symphony Orchestra, Anton Nanut | A Major | 3 | 11B | 106 BPM | ||
Mercure: III. Danse de tendresse | Erik Satie, Ronald Corp, New London Orchestra | D Major | 3 | 10B | 122 BPM | ||
Symphony No. 1 in C Minor, WAB 101 (1891 Vienna Version, Ed. G. Brosche): II. Adagio | Anton Bruckner, Bruckner Orchester Linz, Markus Poschner | C Minor | 1 | 5A | 131 BPM | ||
Introduction & Variations on "Trockne Blumen", Op. 160, D. 802 (Arr. for Flute & String Quintet by Anonymous): Var. 2 | Franz Schubert, Krzysztof Kaczka, Metropolitan Opera Orchestra | E Major | 2 | 12B | 83 BPM | ||
Le lac des cygnes, Op. 20 ; TH 12, Act. II, No. 10: Scène, Moderato | Pyotr Ilyich Tchaikovsky, Royal Concertgebouw Orchestra, Anatole Fistoulari | B Minor | 5 | 10A | 94 BPM | ||
Introduzione, aria e presto: I. Largo e spiccato | Benedetto Marcello, I Musici | E Minor | 4 | 9A | 133 BPM | ||
String Quartet No. 1 in A Minor, Op. 41 No. 1: II. Scherzo. Presto | Robert Schumann, Quatuor Hanson | A Minor | 2 | 8A | 106 BPM | ||
Carmen-Suite Nr.1 und Nr.2 (excerpts), Nr.1: Les Dragons d'Alcalo | Georges Bizet, Radio-Sinfonieorchester Stuttgart, Sir Neville Marriner | G Major | 0 | 9B | 108 BPM | ||
The Song Of Spring: Op. 16 | Moscow Philarmonic Orchestra: Vassily Sinaysky | F Major | 2 | 7B | 85 BPM | ||
Elektra, Op. 58, TrV 223: "Ich kann nicht sitzen und ins Dunkel starren" | Richard Strauss, Marianne Schech, Inge Borkh, Staatskapelle Dresden, Karl Böhm | D♭ Major | 5 | 3B | 179 BPM |
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